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Redating Schoenberg’s Announcement of the Twelve-Tone Method: A Study of Recollections
13 references·1 citing·23 second hop
Redating Schoenberg’s Announcement of the Twelve-Tone Method: A Study of Recollections (2011)Redating Schoenberg’s Announcement of the…Schoenberg and His World (2012)Schoenberg and His WorldTradition as muse : Schoenberg's musical morphology and nascent dodecaphony (2006)Tradition as muse : Schoenber…New Performance Sources and Old Modernist Productions: Die Jakobsleiter in the Age of Mechanical Reproduction (2002)New Performance Sources and O…Schoenberg, Boulez, and Twelve-Tone Composition as “Ideal Type” (2001)Schoenberg, Boulez, and Twelv…La reception de Schonberg en France avant la Seconde Guerre mondiale (2001)La reception de Schonberg en …Stefan Wolpe in Conversation with Eric Salzman (1999)Stefan Wolpe in Conversation …"Mein Weg geht jetzt vorüber": The Vocal Origins of Webern's Twelve-Tone Composition (1994)"Mein Weg geht jetzt vorüber"…Die Entstehung der Zwölftonmethode Arnold Schönbergs (1990)Die Entstehung der Zwölftonme…The Berg-Schoenberg Correspondence: Selected Letters (1988)The Berg-Schoenberg Correspon…Schoenberg and His Circle: A Viennese Portrait (1987)Schoenberg and His Circle: A …Anton von Webern: A Chronicle of His Life and Work (1979)Anton von Webern: A Chronicle…The Letters and Diaries of Oskar Schlemmer (1972)The Letters and Diaries of Os…SCHOENBERG'S TONE-ROWS AND THE TONAL SYSTEM OF THE FUTURE (1936)SCHOENBERG'S TONE-ROWS AND TH…Yuri Kholopov and Twelve-Toneness (2020)Yuri Kholopov and Twelve-Tone…Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern (1962)Style and Idea: Selected Writings of Arnold Schoenberg (1975)Schoenberg and the New Music (1988)In Schoenberg's Workshop: Aggregates and Referential Collections in "Die glückliche Hand" (1996)Cycles in Webern’s Late Music (2018)Transformation Chains, Associative Areas, and a Principle of Form for Anton Webern’s Twelve-tone Music (2019)Shapers of American Jewish Music: Mailamm and the Jewish Music Forum, 1931-62 (1997)Folk Song versus High Modernism: Stefan Wolpe's Song of Songs Settings in the Context of the ‘New Palestine' (2008)Diasporic Dialogues in Mid-Century New York: Stefan Wolpe, George Russell, Hannah Arendt, and the Historiography of Displacement (2012)Schoenberg's Interior Designs (2008)Music and the Agents of Obsession (2016)Form—Function—Content (2018)Mathematics in Motion: A Comparative Analysis of the Stage Works of Schlemmer and Kandinsky at the Bauhaus (2014)Schoenberg's Handel Concerto and the Ruins of Tradition (1996)A Minstrel in a World without Minstrels: Adorno and the Case of Schreker (2005)The Music of Louis Andriessen (2007)"Ist Alles Eins": Schoenberg and Symmetry (2004)The German Musical Exile and the Course of American Musicology (2005)The Lyric Suite and Berg's Twelve-Tone Duality (2008)Mahler's "Todtenfeier" and the Problem of Program Music (1988)Innovation and the avant-garde, 1900–20 (2004)Twentieth-Century Chamber Music (2004)Anti-Debussyism and the Formation of French Neoclassicism (2017)
this work references cited by second hop

References

  • 1979Anton von Webern: A Chronicle of His Life and Work68 cited
  • 1987Schoenberg and His Circle: A Viennese Portrait49 cited
  • 1988The Berg-Schoenberg Correspondence: Selected Letters44 cited
  • 1972The Letters and Diaries of Oskar Schlemmer30 cited
  • 2012Schoenberg and His World22 cited
  • 2001Schoenberg, Boulez, and Twelve-Tone Composition as “Ideal Type”13 cited
  • 1994"Mein Weg geht jetzt vorüber": The Vocal Origins of Webern's Twelve-Tone Composition12 cited
  • 1936SCHOENBERG'S TONE-ROWS AND THE TONAL SYSTEM OF THE FUTURE12 cited
  • 1999Stefan Wolpe in Conversation with Eric Salzman9 cited
  • 2001La reception de Schonberg en France avant la Seconde Guerre mondiale8 cited
  • 1990Die Entstehung der Zwölftonmethode Arnold Schönbergs6 cited
  • 2002New Performance Sources and Old Modernist Productions: Die Jakobsleiter in the Age of Mechanical Reproduction5 cited
  • 2006Tradition as muse : Schoenberg's musical morphology and nascent dodecaphony5 cited

Cited by

  • 2020Yuri Kholopov and Twelve-Toneness3 cited

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