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“The Red Kiss of the Past That Does Not Pass”: State Socialism in Albanian Visual Art Today
11 references·0 citing·39 second hop
“The Red Kiss of the Past That Does Not Pass”: State Socialism in Albanian Visual Art Today (2017)“The Red Kiss of the Past That Does Not P…Strange Bedfellows: (2017)Strange Bedfellows:History Becomes Form: Moscow Conceptualism (2010)History Becomes Form: Moscow …Ethnicity, Inc. (2009)Ethnicity, Inc.Art Power (2008)Art Power9. The Generation Of Postmemory (2008)9. The Generation Of Postmemo…Ostalgieand the Politics of the Future in Eastern Germany (2006)Ostalgieand the Politics of t…Everything was forever, until it was no more: the last Soviet generation (2006)Everything was forever, until…Poetics and Politics of Estrangement: Victor Shklovsky and Hannah Arendt (2005)Poetics and Politics of Estra…Postmodernism and the Postsocialist Condition (2003)Postmodernism and the Postsoc…Where the World Ended (1999)Where the World Ended‘(N)Ostalgie’ for the present: Memory, longing, and East German things (1999)‘(N)Ostalgie’ for the present…The Idea of Nostalgia (1966)Belonging in the Two Berlins (1992)Goods and States: The Political Logic of State-Socialist Material Culture (2009)Lost in Transition (2009)Nostalgia marketing and (re-)enchantment (2019)The Social Life of Things (1986)Between Memory and History: Les Lieux de Mémoire (1989)How Societies Remember (1989)American Kitchens, Luxury Bathrooms, and the Search for a 'Normal' Life in Postsocialist Hungary (2002)Design and Anthropology (2016)The Cynical Reason of Late Socialism: Power, Pretense, and theAnekdot (1997)Hannah Arendt in Jerusalem (2001)Coetzee’s Estrangements (2008)Narrative Theory (2016)2. The Work of Art in the Age of Its Technological Reproducibility (2019)Trickstery: pluralising stigma in international society (2020)On Collective Memory (1992)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)The intergenerational effects of Indian Residential Schools: Implications for the concept of historical trauma (2013)Living in “survival mode:” Intergenerational transmission of trauma from the Holodomor genocide of 1932–1933 in Ukraine (2015)Reflections and directions for research in refugee studies (2019)The Semiotics of Brand (2010)Voicing concern and difference: from public spaces to common-places (2014)Socialities of solidarity: revisiting the gift taboo in times of crises (2016)The Commodification of Language (2010)Theory from the South: Or, how Euro-America is Evolving Toward Africa (2012)Neoliberalism (2014)The Study of Boundaries in the Social Sciences (2002)Maddening States (2003)Everyday nationhood (2008)Art and gentrification: pursuing the urban pastoral in Hoxton, London (2011)Awards, archives, and affects: tropes in the World Press Photo contest 2009–11 (2013)Digitalization (2016)Post-Post-Transition Theories: Walking on Multiple Paths (2008)The Topology of Contemporary Art (2008)Currents of world-making in contemporary art (2011)Palaceology, or palace-as-methodology: ethnographic conceptualism, total urbanism, and a stalinist skyscraper in warsaw (2013)The Strategy of Shimmering in Moscow Conceptualism (2018)Internet theatre and the historical consciousness of the Covid-19 era (2021)
this work references cited by second hop

References

  • 20089. The Generation Of Postmemory1,944 cited
  • 2009Ethnicity, Inc.1,404 cited
  • 2006Everything was forever, until it was no more: the last Soviet generation1,188 cited
  • 1999Where the World Ended358 cited
  • 1999‘(N)Ostalgie’ for the present: Memory, longing, and East German things249 cited
  • 2008Art Power248 cited
  • 2006Ostalgieand the Politics of the Future in Eastern Germany164 cited
  • 2005Poetics and Politics of Estrangement: Victor Shklovsky and Hannah Arendt80 cited
  • 2003Postmodernism and the Postsocialist Condition68 cited
  • 2010History Becomes Form: Moscow Conceptualism45 cited
  • 2017Strange Bedfellows:19 cited

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