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Analyzing the Heterogeneous Hierarchy of Cultural Heritage Materials: Analytical Imaging
16 references·5 citing·28 second hop
Analyzing the Heterogeneous Hierarchy of Cultural Heritage Materials: Analytical Imaging (2017)Analyzing the Heterogeneous Hierarchy of …Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Reflectance Hyperspectral Ima…Identification of pigments by multispectral imaging; a flowchart method (2014)Identification of pigments by…A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)A mobile instrument for in si…Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Advances in multispectral and…Organic Mass Spectrometry in Art and Archaeology (2009)Organic Mass Spectrometry in …Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Visualization of a Lost Paint…The Lycurgus Cup — A Roman nanotechnology (2007)The Lycurgus Cup — A Roman na…A Decade of Raman Spectroscopy in Art and Archaeology (2007)A Decade of Raman Spectroscop…Raman imaging of ancient rust scales on archaeological iron artefacts for long‐term atmospheric corrosion mechanisms study (2006)Raman imaging of ancient rust…Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Multispectral and hyperspectr…Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Application of surface‐enhanc…X-ray fluorescence spectrometry in art and archaeology (2000)X-ray fluorescence spectromet…Use of microscopic XRF for non-destructive analysis in art and archaeometry (2000)Use of microscopic XRF for no…Modern analytical methods in art and archaeology (2000)Modern analytical methods in …Infrared Spectroscopy in Conservation Science (2000)Infrared Spectroscopy in Cons…Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Raman microscopy: application…A Digitally Enhanced Ethnography for Craft Action and Process Understanding (2025)A Digitally Enhanced Ethnogra…Multiband Photogrammetry and Hybrid Image Analysis for the Investigation of a Wall Painting by Paolo de San Leocadio and Francesco Pagano in the Cathedral of Valencia (2023)Multiband Photogrammetry and …Non-invasive and Non-destructive Examination of Artists’ Pigments, Paints and Paintings by Means of X-Ray Imaging Methods (2022)Non-invasive and Non-destruct…Macroscopic XRF imaging in unravelling polychromy on Mycenaean wall-paintings from the Palace of Nestor at Pylos (2019)Macroscopic XRF imaging in un…Method development for binding media analysis in painting cross‐sections by desorption electrospray ionization mass spectrometry (2018)Method development for bindin…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)National Gallery Technical Bulletin (1979)Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts (2014)Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication (2017)Roman Glassblowing in a Cultural Context (1999)Roman working lives and urban living (2005)Michael Faraday's recognition of ruby gold: the birth of modern nanotechnology (2007)Nanoparticles in Ancient Materials: The Metallic Lustre Decorations of Medieval Ceramics (2012)The Destructive/Non-Destructive Identification of Enameled Pottery, Glass Artifacts and Associated Pigments—A Brief Overview (2013)Raman microscopy in archaeological science (2004)Metal provenancing using isotopes and the Oxford archaeological lead isotope database (OXALID) (2009)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus (2015)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Pigment identification by spectroscopic means: an arts/science interface (2002)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Hyper-Spectral Imaging Technique in the Cultural Heritage Field: New Possible Scenarios (2020)Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study (2012)Mid and Near-Infrared Reflection Spectral Database of Natural Organic Materials in the Cultural Heritage Field (2018)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)
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References

  • 2000Infrared Spectroscopy in Conservation Science690 cited
  • 2007The Lycurgus Cup — A Roman nanotechnology590 cited
  • 2011Advances in multispectral and hyperspectral imaging for archaeology and art conservation496 cited
  • 2000Modern analytical methods in art and archaeology495 cited
  • 2007A Decade of Raman Spectroscopy in Art and Archaeology383 cited
  • 2006Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications363 cited
  • 2016Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts323 cited
  • 2008Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping317 cited
  • 2009Organic Mass Spectrometry in Art and Archaeology309 cited
  • 1995Raman microscopy: application to the identification of pigments on medieval manuscripts286 cited
  • 2000X-ray fluorescence spectrometry in art and archaeology267 cited
  • 2013A mobile instrument for in situ scanning macro-XRF investigation of historical paintings264 cited
  • 2014Identification of pigments by multispectral imaging; a flowchart method257 cited
  • 2000Use of microscopic XRF for non-destructive analysis in art and archaeometry255 cited

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  • 2006Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art244 cited
  • 2006Raman imaging of ancient rust scales on archaeological iron artefacts for long‐term atmospheric corrosion mechanisms study242 cited
  • Cited by

    • 2023Multiband Photogrammetry and Hybrid Image Analysis for the Investigation of a Wall Painting by Paolo de San Leocadio and Francesco Pagano in the Cathedral of Valencia14 cited
    • 2018Method development for binding media analysis in painting cross‐sections by desorption electrospray ionization mass spectrometry13 cited
    • 2019Macroscopic XRF imaging in unravelling polychromy on Mycenaean wall-paintings from the Palace of Nestor at Pylos12 cited
    • 2022Non-invasive and Non-destructive Examination of Artists’ Pigments, Paints and Paintings by Means of X-Ray Imaging Methods11 cited
    • 2025A Digitally Enhanced Ethnography for Craft Action and Process Understanding6 cited