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Popular Music as an Interpretive Device for Creating Meaningful Visitor Experience in Music Museums
15 references·0 citing·37 second hop
Popular Music as an Interpretive Device for Creating Meaningful Visitor Experience in Music Museums (2017)Popular Music as an Interpretive Device f…Identity and the Museum Visitor Experience (2016)Identity and the Museum Visit…A Comparison of “Popular Music Pedagogy” Discourses (2013)A Comparison of “Popular Musi…The Social Life of Musical Instruments (2012)The Social Life of Musical In…MacedonianČalgija: A Musical Refashioning of National Identity (2012)MacedonianČalgija: A Musical …Community Music (2012)Community MusicThe Participatory Museum (2010)The Participatory MuseumFlag on the Mountain: A Political Anthropology of War in Croatia and Bosnia (2007)Flag on the Mountain: A Polit…AN AGENDA FOR AMERICAN MUSEUMS IN THE TWENTY-FIRST CENTURY (1999)AN AGENDA FOR AMERICAN MUSEUM…Retuning Culture: Musical Changes in Central and Eastern Europe (1998)Retuning Culture: Musical Cha…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Retuning Culture (1996)Retuning CulturePerforming Rites (1996)Performing RitesEthnomusicology and Music Law (1992)Ethnomusicology and Music LawOn concepts and classifications of musical instruments (1991)On concepts and classificatio…Interpreting Our Heritage (1957)Interpreting Our HeritageContent Analysis: An Introduction to its Methodology. (1984)Discipline and Punish: The Birth of the Prison. (1996)Toward hip-hop pedagogies for music education (2014)“Something’s Happening Here!”: Popular Music Education in the United States (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Mapping visions of improvisation pedagogy in music education research (2019)The Social Life of Things: Commodities in Cultural Perspective (1988)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Of bicycles, bakelites, and bulbs: toward a theory of sociotechnical change (1996)Tabla Tuning on the Workshop Stage: Toward a Materialist Musical Ethnography (2014)The machine of sonorous indigeneity: craftsmanship and sound ecology in an Andean instrument workshop (2016)Music, Mediation Theories and Actor-Network Theory (2018)Big Sounds from Small People: The Music Industry in Small Countries (1984)Hit Men: Power Brokers and Fast Money inside the Music Business (1992)Beyond intellectual property : toward traditional resource rights for indigenous peoples and local communities (1996)Bioprospecting the Public Domain (1999)Cultural evolution of music (2019)Visitors’ learning for environmental sustainability: Testing short- and long-term impacts of wildlife tourism experiences using structural equation modelling (2010)Travel and Learning: A Neglected Tourism Research Area (2011)“Not Designed for Us”: How Science Museums and Science Centers Socially Exclude Low‐Income, Minority Ethnic Groups (2014)The relationship among tourists’ involvement, place attachment and interpretation satisfaction in Taiwan’s national parks (2003)Can Ecotourism Interpretation Really Lead to Pro-Conservation Knowledge, Attitudes and Behaviour? Evidence from the Galapagos Islands (2008)(Hermeneutic) Phenomenology in tourism studies (2010)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)The Classification of Musical Instruments: Changing Trends in Research from the Late Nineteenth Century, with Special Reference to the 1990s (2001)Sounds of Power: An Overview of Musical Instruments and Gender (2008)The orchestral revolution: Haydn and the technologies of timbre (2013)Music, health, and well-being: A review (2013)Online music collaboration project: Digitally mediated, deterritorialized music education (2015)Wellbeing and Integration through Community Music: The Role of Improvisation in a Music Group of Refugees, Asylum Seekers and Local Community Members (2019)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)Museums and the ‘new museology’: theory, practice and organisational change (2013)Equity in informal science education: developing an access and equity framework for science museums and science centres (2014)The Organization of Informal Learning (2016)
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References

  • 1997Performing rites: on the value of popular music1,310 cited
  • 1957Interpreting Our Heritage1,182 cited
  • 1996Performing Rites1,123 cited
  • 2010The Participatory Museum900 cited
  • 2016Identity and the Museum Visitor Experience493 cited
  • 2012The Social Life of Musical Instruments199 cited
  • 2012Community Music184 cited
  • 1991On concepts and classifications of musical instruments156 cited
  • 2013A Comparison of “Popular Music Pedagogy” Discourses81 cited
  • 1992Ethnomusicology and Music Law80 cited
  • 1999AN AGENDA FOR AMERICAN MUSEUMS IN THE TWENTY-FIRST CENTURY44 cited
  • 1996Retuning Culture40 cited
  • 1998Retuning Culture: Musical Changes in Central and Eastern Europe22 cited
  • 2007Flag on the Mountain: A Political Anthropology of War in Croatia and Bosnia21 cited
  • 2012MacedonianČalgija: A Musical Refashioning of National Identity14 cited

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