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Vibrational Spectroscopies and Chemometry for Nondestructive Identification and Differentiation of Painting Binders

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2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
2010Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry184 cited
2009FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings148 cited
2012New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study129 cited
2007Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification98 cited
2008Benefits of applying combined diffuse reflectance FTIR spectroscopy and principal component analysis for the study of blue tempera historical painting55 cited
2010Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first‐derivative spectra51 cited
2011Discrimination of aged mixtures of lipidic paint binders by Raman spectroscopy and chemometrics38 cited
2011Characterization of fresh and aged natural ingredients used in historical ointments by molecular spectroscopic techniques: IR, Raman and fluorescence37 cited
2013Multivariate analysis of combined Raman and fibre‐optic reflectance spectra for the identification of binder materials in simulated medieval paints36 cited
2012Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis31 cited
2015Multivariate analysis of combined reflectance FT-NIR and micro-Raman spectra on oil-paint models

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