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Intertextuality, Narrativity and Tradition: 8 Brazilian Piano Sonatas
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Intertextuality, Narrativity and Tradition: 8 Brazilian Piano Sonatas (2016)Intertextuality, Narrativity and Traditio…Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Interpreting musical gestures…Who Paid the Piper?: The CIA and the Cultural Cold War (2002)Who Paid the Piper?: The CIA …Aaron Copland: The Life and Work of an Uncommon Man (2000)Aaron Copland: The Life and W…The Myth of Serial "Tyranny" in the 1950s and 1960s (1999)The Myth of Serial "Tyranny" …Neoclassic and Anachronistic Impulses in Twentieth-Century Music (1996)Neoclassic and Anachronistic …Wordless Rhetoric: Musical Form and the Metaphor of the Oration (1994)Wordless Rhetoric: Musical Fo…On Narrativity in Music: Expressive Genres and Levels of Discourse in Beethoven (1991)On Narrativity in Music: Expr…'The Sonata in the Classic Era' (1964)'The Sonata in the Classic Er…Inversional Balance as an Organizing Force in Schoenberg's Music and Thought (1968)Brahms and Twentieth-Century Classical Music (1984)Towards a New Poetics of Musical Influence (1991)Outside Ravel's Tomb (1999)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Schoenberg's Musical Imagination (2007)The Composer's Voice (1974)The Content of the Form: Narrative Discourse and Historical Representation. (1987)Hayden White. The Content of the Form: Narrative Discourse and Historical Representation. Baltimore: Johns Hopkins University Press. 1987. Pp. xiii, 244. $26.50 (1988)The Music of Louis Andriessen (2007)The Beginnings of a Beautiful Friendship? (2012)Theaternarratologie (2018)Gramsci is Dead: Anarchist Currents in the Newest Social Movements (2009)Radicalisation: the journey of a concept (2012)The School of Oriental and African Studies (2016)Towards a History of Viennese Chamber Music in the Early Classical Period (1974)Texture as a Sign in Classic and Early Romantic Music (1982)The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (2003)Darmstadt as Other: British and American Responses to Musical Modernism (2004)“A Ping, Qualified by a Thud”: Music Criticism in Manhattan and the Case of Cage (1943–58) (2007)The End(s) of Genre (2013)The End of Early Music (2007)Choreomusical Conversations: Facing a Double Challenge (2011)Action and Agency Revisited (2013)“At times even Homer nods off” (2008)From Gospel to Gates: Modal Blending in African-American Musical Discourse before the Signifyin(g) Monkey (2011)Steven Vande Moortele, The Romantic Overture and Musical Form from Rossini to Wagner, Cambridge: Cambridge University Press 2017 (2019)American Indian musics, past and present (1998)Ragtime and early jazz (1998)Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)
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References

  • 2002Who Paid the Piper?: The CIA and the Cultural Cold War584 cited
  • 2005Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert427 cited
  • 1996Neoclassic and Anachronistic Impulses in Twentieth-Century Music108 cited
  • 1964'The Sonata in the Classic Era'59 cited
  • 1991On Narrativity in Music: Expressive Genres and Levels of Discourse in Beethoven55 cited
  • 1999The Myth of Serial "Tyranny" in the 1950s and 1960s50 cited
  • 1994Wordless Rhetoric: Musical Form and the Metaphor of the Oration29 cited
  • 2000Aaron Copland: The Life and Work of an Uncommon Man22 cited

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