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Identifying Expressiveness in Small Ensemble Performances
4 references·3 citing·29 second hop
Identifying Expressiveness in Small Ensemble Performances (1998)Identifying Expressiveness in Small Ensem…Ratings of Violin and Viola Vibrato Performance in Audio-Only and Audiovisual Presentations (1997)Ratings of Violin and Viola V…The effects of expressive and nonexpressive conducting on the performance accuracy of selected expression markings by individual high school instrumentalists (1990)The effects of expressive and…Effects of Visual-Spatial Added Cues on Fourth-Graders' Melodic Discrimination (1989)Effects of Visual-Spatial Add…Human sensory dominance (1974)Human sensory dominanceInfluence of Education, Performance Level, and Presentation Medium on Evaluations of String Orchestra Performances (2015)Influence of Education, Perfo…Verbal Instructions and Conducting Gestures (2013)Verbal Instructions and Condu…Factors Influencing Listeners’ Perception of Expressiveness for a Conducted Performance (2008)Factors Influencing Listeners…Development and Validation of a Clarinet Performance Adjudication Scale (1973)Relationship of Selected Factors in Trumpet Performance Adjudication Reliability (1977)Missouri Journal of Research in Music Education, 1989-1994. (1994)Hearing Gestures, Seeing Music: Vision Influences Perceived Tone Duration (2007)Seeing Music? What musicians need to know about vision (2008)Audiovisual Interactions: the Impact of Visual Information on Music Perception and Memory (2009)Perception and communication. (1958)Multisensory prior entry. (2001)The Leading Sense: Supramodal Control of Neurophysiological Context by Attention (2009)Perception and Communication (2016)Why Is There So Much More Research on Vision Than on Any Other Sensory Modality? (2019)The study of music in the elementary school : a conceptual approach (1967)Foundations and Principles of Music Education (1973)Contemporary Music Education (1979)The Effect of Perceptual Mode Preferences and Other Selected Variables on Upper Elementary School Students' Responses to Conservation-Type Rhythmic and Melodic Tasks (1992)Using Conducting Gestures to Teach Music Concepts A Review of Research (1999)Emphasising sound and meaning: pitch gestures enhance Mandarin lexical tone acquisition (2014)Time Use in Instrumental Rehearsals: A Comparison of Experienced, Novice, and Student Teachers (1996)Effects of Physical Attractiveness on Evaluation of Vocal Performance (1997)A Comparison of Expert and Novice Music Teachers' Preparing Identical Band Compositions: An Operational Replication (1999)Movement, Gesture, and Singing: A Review of Literature (2020)Effect of Magnitude of Conductor Behavior on Students in Selected Mixed Choruses (1975)Recognition of Intensity Contrasts in the Gestures of Beginning Conductors (1990)Effects of Preconducting and Conducting Behaviors on Collegiate Musicians’ Evaluations of Conductor Competence (2021)Effects of Performer Attractiveness, Stage Behavior, and Dress on Violin Performance Evaluation (1998)Cross-Validation and Application of a Scale Assessing School Band Performance (2020)Conductor Expressivity and Ensemble Performance: An Exploratory Investigation (2001)The Effect of Conductors on Ensemble Evaluations (2011)The influences of presentation modes and conducting gestures on the perceptions of expressive choral performance of high school musicians attending a summer choral camp (2012)
this work references cited by second hop

References

  • 1974Human sensory dominance563 cited
  • 1997Ratings of Violin and Viola Vibrato Performance in Audio-Only and Audiovisual Presentations51 cited
  • 1990The effects of expressive and nonexpressive conducting on the performance accuracy of selected expression markings by individual high school instrumentalists33 cited
  • 1989Effects of Visual-Spatial Added Cues on Fourth-Graders' Melodic Discrimination18 cited

Cited by

  • 2013Verbal Instructions and Conducting Gestures11 cited
  • 2015Influence of Education, Performance Level, and Presentation Medium on Evaluations of String Orchestra Performances8 cited
  • 2008Factors Influencing Listeners’ Perception of Expressiveness for a Conducted Performance7 cited

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