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‘Familial looking’: Chinese Canadian vernacular photography of the exclusion period (1923–1967)
12 references·0 citing·29 second hop
‘Familial looking’: Chinese Canadian vernacular photography of the exclusion period (1923–1967) (2017)‘Familial looking’: Chinese Canadian vern…The Civil Contract of Photography (2021)The Civil Contract of Photogr…Image matters: archive, photography, and the African diaspora in Europe (2012)Image matters: archive, photo…Image Matters (2012)Image MattersOral History and Photography (2011)Oral History and PhotographyOral History and Public Memories (2009)Oral History and Public Memor…Oral history and public memories (2009)Oral history and public memor…PHOTOGRAPHS AND THE SOUND OF HISTORY (2005)PHOTOGRAPHS AND THE SOUND OF …Suspended Conversations (2001)Suspended ConversationsFamily Frames: Photography, Narrative and Postmemory (1997)Family Frames: Photography, N…Testimony: crises of witnessing in literature, psychoanalysis, and history (1992)Testimony: crises of witnessi…Family snaps — The meaning of domestic photography (1991)Family snaps — The meaning of…Gold Mountain: The Chinese in the New World (1984)Gold Mountain: The Chinese in…Outline of a Theory of Practice (1977)The Social Life of Things (1986)Hand and mind: what gestures reveal about thought (1993)Personal photography, digital technologies and the uses of the visual (2011)Objects of Affect: Photography Beyond the Image (2012)Looking at the family photo album: a resumed theoretical discussion of why and how (2014)Photovoice Ethics: Perspectives from Flint Photovoice (2001)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)The Birth of the 'Kodak Moment': Institutional Entrepreneurship and the Adoption of New Technologies (2005)‘We’re not ethnic, we’re Irish!’: Oral histories and the discursive construction of immigrant identity (2010)Allan Nevins Is Not My Grandfather: The Roots of Radical Oral History Practice in the United States (2016)The Rise of Public History: An International Perspective (2018)Heritage Making and Migrant Subjects in the Deindustrialising Region of the Latrobe Valley (2022)“The question of belief”: writing poststructural ethnography (1995)Feminism and Cultural Memory: An Introduction (2002)Speculations on qualities of difficult knowledge in teaching and learning: an experiment in psychoanalytic research (2003)Photographing Objects as Queer Archival Practice (2014)Refracting African and Black diaspora through the Nordic region (2014)Posing in Prison: Family Photographs, Emotional Labor, and Carceral Intimacy (2015)‘Thanks for the memory’: memory books as a methodological resource in biographical research (2005)Doing Autoethnography (2005)The place of the family in tourism research: Domesticity and thick sociality by the pool (2011)“The Family Camera Network” (2017)The Cultural Politics of Aspiration: Family Photography’s Mixed Feelings (2018)Reclaiming the chocolate city: Soundscapes of gentrification and resistance in Washington, DC (2020)Picture This: the Impact of Mobile Camera Phones on Personal Photographic Practices (2007)Memory texts and memory work: Performances of memory in and with visual media (2010)From Gaza to Warsaw: Mapping Multidirectional Memory (2011)Wounded cities: Memory-work and a place-based ethics of care (2011)
this work references cited by second hop

References

  • 1992Testimony: crises of witnessing in literature, psychoanalysis, and history3,375 cited
  • 1997Family Frames: Photography, Narrative and Postmemory2,318 cited
  • 2021The Civil Contract of Photography1,165 cited
  • 2005PHOTOGRAPHS AND THE SOUND OF HISTORY181 cited
  • 2012Image matters: archive, photography, and the African diaspora in Europe177 cited
  • 2012Image Matters170 cited
  • 2001Suspended Conversations168 cited
  • 2009Oral history and public memories87 cited
  • 2009Oral History and Public Memories70 cited
  • 1991Family snaps — The meaning of domestic photography69 cited
  • 2011Oral History and Photography52 cited
  • 1984Gold Mountain: The Chinese in the New World44 cited

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