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Monitoring change at Indigenous rock art sites in Australia
5 references·4 citing·36 second hop
Monitoring change at Indigenous rock art sites in Australia (2014)Monitoring change at Indigenous rock art …Endangered Rock Art: Forty years of cultural heritage management in the Quinkan region, Cape York Peninsula (2012)Endangered Rock Art: Forty ye…DAMPIER ARCHIPELAGO: DECADES OF DEVELOPMENT AND DESTRUCTION (2011)DAMPIER ARCHIPELAGO: DECADES …A different look: comparative rock-art recording from the Torres Strait using computer enhancement techniques (2007)A different look: comparative…Documenting and Analyzing Rock, Paintings from Torres Strait, NE Australia, with Digital Photography and Computer Image Enhancement (2006)Documenting and Analyzing Roc…Petroglyphs of the Dampier Archipelago: background to development and descriptive analysis (2002)Petroglyphs of the Dampier Ar…Graffiti, Vandalism and Destruction: Preserving Rock Art in a Globalized World (2024)Graffiti, Vandalism and Destr…Conservation and Co-Management of Rock Art in National Parks: An Australian Case Study (2023)Conservation and Co-Managemen…Threshold of Weathering Needed for Fire to Erode Rock Art: Case Study of a Hohokam Petroglyph, Central Arizona, USA (2021)Threshold of Weathering Neede…Long-term in situ non-invasive spectroscopic monitoring of weathering processes in open-air prehistoric rock art sites (2020)Long-term in situ non-invasiv…Reports of the Cambridge Anthropological Expedition to Torres Straits (1936)A taphonomy of palaeoart (1994)Saltwater People: spiritscapes, maritime rituals and the archaeology of Australian indigenous seascapes (2004)Digital Enhancement of Deteriorated and Superimposed Pigment Art: Methods and Case Studies (2012)Intra-raw material variability and use-wear formation: an experimental examination of a Fossiliferous chert (SJF) and a Silicified Wood (YSW) from NW New Mexico using the Clemex Vision processing frame (2013)The rock-engravings of Depuch Island, north-west Australia (1961)A partial vocabulary of the Ngalooma aboriginal tribe (1971)THE SURVIVAL OF THE MURUJUGA (BURRUP) PETROGLYPHS (2002)Recognition and value of submerged prehistoric landscape resources in Australia (2018)A multi-scalar approach to marine survey and underwater archaeological site prospection in Murujuga, Western Australia (2020)Analysis of rock art painting and technology of Palaeolithic painters (2003)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Pigment Compendium: Optical Microscopy of Historical Pigments (2013)Micro‐Raman spectroscopy for the analysis of materials found in rock art shelters in Piedra Parada valley, Chubut province, Argentinian Patagonia (2021)Testing recipes: an experimental approach to paint production processes in Levantine rock art (Spain) (2023)Handbook of rock art research (2001)Introduction to rock art research (2006)Local and Indigenous management of climate change risks to archaeological sites (2017)Fire as a geoarchaeological decay agent: reviewing methodologies for assessing physico-mechanical and chemical impacts on rock art (2026)Rock Art Conservation and Tourism (2006)Ages for Australia’s oldest rock paintings (2021)Exploring Vulnerability Indicators: Tourist Impact on Cultural Heritage Sites in High Arctic Svalbard (2023)Operational Guidelines for the Implementation of the World Heritage Convention (2023)Pleistocene cave art from Sulawesi, Indonesia (2014)U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)Earliest hunting scene in prehistoric art (2019)Ancestral Connections: Re-Evaluating Concepts of Superimpositioning and Vandalism in Rock Art Studies (2025)Inscribing identity: a visual sociological analysis of rock carvings in White Mountains National Park, Queensland (2026)Evaluating conventional and advanced visible image enhancement solutions to produce digital tracings at el Carche rock art shelter (2015)ERA: A new, fast, machine learning-based software to document rock paintings (2022)From RGB camera to hyperspectral imaging: a breakthrough in Neolithic rock painting analysis (2023)Regions without borders: related rock art landscapes of the Laura Basin, Cape York Peninsula (2016)Indigenous Rock Art Tourism in Australia: Contexts, Trajectories, and Multifaceted Realities (2019)Aboriginal rock art of the Laura valleys: One landscape, many Stories (2022)The potential for discovery of new submerged archaeological sites near the Dampier Archipelago, Western Australia (2013)To the islands born: the research potential of submerged landscapes and human habitation sites from the islands of NW Australia (2014)
this work references cited by second hop

References

  • 2006Documenting and Analyzing Rock, Paintings from Torres Strait, NE Australia, with Digital Photography and Computer Image Enhancement32 cited
  • 2002Petroglyphs of the Dampier Archipelago: background to development and descriptive analysis32 cited
  • 2011DAMPIER ARCHIPELAGO: DECADES OF DEVELOPMENT AND DESTRUCTION21 cited
  • 2012Endangered Rock Art: Forty years of cultural heritage management in the Quinkan region, Cape York Peninsula18 cited
  • 2007A different look: comparative rock-art recording from the Torres Strait using computer enhancement techniques15 cited

Cited by

  • 2020Long-term in situ non-invasive spectroscopic monitoring of weathering processes in open-air prehistoric rock art sites19 cited
  • 2024Graffiti, Vandalism and Destruction: Preserving Rock Art in a Globalized World4 cited
  • 2021Threshold of Weathering Needed for Fire to Erode Rock Art: Case Study of a Hohokam Petroglyph, Central Arizona, USA3 cited
  • 2023Conservation and Co-Management of Rock Art in National Parks: An Australian Case Study3 cited

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