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Collaborative Production in the Creative Industries
16 references·4 citing·47 second hop
Collaborative Production in the Creative Industries (2017)Collaborative Production in the Creative …The Presentation of Self in Everyday Life (2023)The Presentation of Self in E…The romance of work: Gender and aspirational labour in the digital culture industries (2015)The romance of work: Gender a…The participation myth (2015)The participation mythBlowing your own Trumpet: Exploring the Gendered Dynamics of Self-Promotion in the Classical Music Profession (2015)Blowing your own Trumpet: Exp…CRITICAL QUESTIONS FOR BIG DATA (2012)CRITICAL QUESTIONS FOR BIG DA…Creative Labour: Media Work in Three Cultural Industries (2012)Creative Labour: Media Work i…Creative labour, cultural work and individualisation (2010)Creative labour, cultural wor…Looking for work in creative industries policy (2009)Looking for work in creative …In the Social Factory? (2008)In the Social Factory?`Meat, Mask, Burden` (2008)`Meat, Mask, Burden`Management and creativity : from creative industries to creative management (2007)Management and creativity : f…The Third Wave of Science Studies (2002)The Third Wave of Science Stu…What is the Problem with Experts? (2001)What is the Problem with Expe…Risk Society: Towards a New Modernity (1995)Risk Society: Towards a New M…Misunderstood misunderstanding: social identities and public uptake of science (1992)Misunderstood misunderstandin…From Socrates to Expert Systems: The Limits of Calculative Rationality (1986)From Socrates to Expert Syste…COLLABORATION IN CREATIVE INDUSTRIES – FROM CREATIVE INDIVIDUALS AND INTERMEDIARIES TO NETWORKS (2024)COLLABORATION IN CREATIVE IND…What Outfit Shall the Protagonist Wear? (2023)What Outfit Shall the Protago…So Much Drama, So Little Time: Writers’ Rooms in Australian Television Drama Production (2021)So Much Drama, So Little Time…Reimagining the creative industries in the community arts sector (2021)Reimagining the creative indu…The Strength of Weak Ties (1973)Writing Culture (1986)Writing Culture: The Poetics and Politics of Ethnography (1986)Big Data, new epistemologies and paradigm shifts (2014)Datafication, dataism and dataveillance: Big Data between scientific paradigm and ideology (2014)Algorithms at Work: The New Contested Terrain of Control (2019)The Condition of Postmodernity (1991)Modernity and self-identity: self and society in the late modern age (1992)Celebrity and Power (2010)Digital work (2015)Self-branding, ‘micro-celebrity’ and the rise of Social Media Influencers (2016)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)The TEA Set: Tacit Knowledge and Scientific Networks (1974)The Seven Sexes: A Study in the Sociology of a Phenomenon, or the Replication of Experiments in Physics (1975)`Nuts and Bolts and People' (2007)Expert credibility in climate change (2010)For a Sociology of Expertise: The Social Origins of the Autism Epidemic (2013)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)Postmodernism, or, The cultural logic of late capitalism (1991)Risk Society, Towards a New Modernity (1994)The rise of coworking spaces: a literature review (2015)Breaking the silence: The hidden injuries of neo-liberal academia (2016)Against Meritocracy (2017)HIERARCHIES, JOBS, BODIES: (1990)The Managed Heart (2012)Visibility labour: Engaging with Influencers’ fashion brands and #OOTD advertorial campaigns on Instagram (2016)Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory, and Antiracist Politics [1989] (2018)Platformisation (2019)The role of digital influencers in brand recommendation: Examining their impact on engagement, expected value and purchase intention (2019)Some Elements of a Sociology of Translation: Domestication of the Scallops and the Fishermen of St Brieuc Bay (1984)Institutional Ecology, `Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39 (1989)Public Engagement as a Means of Restoring Public Trust in Science – Hitting the Notes, but Missing the Music? (2006)Diving in magma: how to explore controversies with actor-network theory (2009)What's next for science communication? Promising directions and lingering distractions (2009)Modernity and Self-Identity (2023)Paradigms in the study of creativity: Introducing the perspective of cultural psychology (2009)THE ROLE OF CREATIVITY IN ENTREPRENEURSHIP (2010)The Effect of Conformist and Attentive-To-Detail Members on Team Innovation: Reconciling the Innovation Paradox (2011)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)What Is Digital Labour? What Is Digital Work? What’s their Difference? And Why Do These Questions Matter for Understanding Social Media? (2013)Gender and Creative Labour (2015)Governmentality (2006)Environmental Justice (2009)Migration and the Search for a Better Way of Life: A Critical Exploration of Lifestyle Migration (2009)Social Identity Theory and the Organization (1989)Emotional Intelligence (1990)Framing Processes and Social Movements: An Overview and Assessment (2000)
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References

  • 2023The Presentation of Self in Everyday Life17,564 cited
  • 2012CRITICAL QUESTIONS FOR BIG DATA5,449 cited
  • 1995Risk Society: Towards a New Modernity3,065 cited
  • 2002The Third Wave of Science Studies2,095 cited
  • 1992Misunderstood misunderstanding: social identities and public uptake of science1,673 cited
  • 2008In the Social Factory?1,361 cited
  • 2012Creative Labour: Media Work in Three Cultural Industries715 cited
  • 2015The romance of work: Gender and aspirational labour in the digital culture industries527 cited
  • 2008`Meat, Mask, Burden`492 cited
  • 2007Management and creativity : from creative industries to creative management436 cited
  • 2001What is the Problem with Experts?399 cited
  • 2009Looking for work in creative industries policy342 cited
  • 1986From Socrates to Expert Systems: The Limits of Calculative Rationality118 cited
  • 2015The participation myth117 cited
  • 2010Creative labour, cultural work and individualisation94 cited
  • 2015Blowing your own Trumpet: Exploring the Gendered Dynamics of Self-Promotion in the Classical Music Profession

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83 cited

Cited by

  • 2021So Much Drama, So Little Time: Writers’ Rooms in Australian Television Drama Production25 cited
  • 2021Reimagining the creative industries in the community arts sector12 cited
  • 2024COLLABORATION IN CREATIVE INDUSTRIES – FROM CREATIVE INDIVIDUALS AND INTERMEDIARIES TO NETWORKS6 cited
  • 2023What Outfit Shall the Protagonist Wear?4 cited