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Choral Music, Hybridity, and Postcolonial Consciousness in Ghana
16 references·2 citing·32 second hop
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this work references cited by second hop

References

  • 2012The Location of Culture17,820 cited
  • 2023Black Skin, White Masks6,308 cited
  • 2017Culture and Imperialism5,395 cited
  • 1994The Nation and Its Fragments3,314 cited
  • 2003The Archive and the Repertoire: Performing Cultural Memory in the Americas2,542 cited
  • 2001On the Postcolony1,748 cited
  • 2007Christian moderns freedom and fetish in the mission encounter1,484 cited
  • 2007Peirce's Theory of Signs742 cited
  • 1994Modernity and Its Malcontents: Ritual and Power in Postcolonial Africa.714 cited
  • 2015Souls of Black Folk547 cited
  • 2002Performing the Nation: Swahili Music and Cultural Politics in Tanzania528 cited
  • 1999Christianity in Africa: The Renewal of a Non-Western Religion406 cited
  • 1999Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music371 cited
  • 2007Beyond Exoticism285 cited
  • 2001Nationalists, cosmopolitans, and popular music in Zimbabwe212 cited
  • 2005The History of Ghana207 cited

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2019
Use of proverbs as communicative tool in Ghanaian choral music compositions
3 cited
  • 2021EFFECTS OF APPROPRIATING LUHYIA MUSICAL STYLES TO THE AUTHENTICITY OF ANGLICAN HYMNS OF BUTERE DIOCESE, WESTERN KENYA3 cited