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This essay addresses the role of music in J. M. Coetzee's recent prose. Taking Summertime as a central example, it argues that Coetzee finds in music a means of problematizing issues of body and mind, of history and mediation, and of gender and sexuality.
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Stored only when both papers are in the corpus — 22 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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