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Cited by

• 2015Shakespeare and the Visual Imagination40 cited
• 1995Making Pictures Speak: Renaissance Art, Elizabethan Literature, Modern Scholarship39 cited
• 2006:Redefining Elizabethan Literature25 cited
• 2006Ekphrasis in The Rape of Lucrece and The Winter's Tale21 cited
• 2014The Banquet of the Common Sense: George Chapman’s Anti-Epyllion15 cited
• 2021Ovid and the Liberty of Speech in Shakespeare's England15 cited
• 1999The New Poet: Novelty and Tradition in Spenser's Complaints15 cited
• 2013Marlowe’s poetic form12 cited
• 2002“Under my hands . . . a double duty”: Printing and Pressing Marlowe’s Hero and Leander12 cited
• 1998Career Rivalry and the Writing of Counter-Nationhood: Ovid, Spenser, and Philomela in Marlowe's "The Passionate Shephered to His Love"8 cited
• 2008Marlowe's Fable: Hero and Leander and the Rudiments of Eloquence6 cited
• 2013Heralding the Commonplace: Authorship, Voice, and the Commonplace in Shakespeare's Rape of Lucrece3 cited
• 2014Adonis at the Crossroads: Two (Three) Early Modern Versions of the Venus and Adonis Myth2 cited
• 2004La rhapsodie des genres dans l'épyllion élisabéthain2 cited