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Dashiki Project Theatre: black identity and beyond
16 references·0 citing·29 second hop
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this work references cited by second hop

References

  • 1990Yearning: Race, Gender, and Cultural Politics4,318 cited
  • 1985When and where I enter : the impact of Black women on race and sex in America1,463 cited
  • 1980Black Macho and the Myth of the Superwoman.751 cited
  • 1973Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films457 cited
  • 1972Black women in white America;: A documentary history416 cited
  • 2002Stereotyping: the politics of representation396 cited
  • 1990Theatre Audiences: A Theory of Production and Reception394 cited
  • 1968The Black Arts Movement324 cited
  • 1998Demons of Disorder: Early Blackface Minstrels and Their World273 cited
  • 1990Theatre audiences: a theory of production and reception269 cited
  • 1981The Struggle for Black Equality: 1954-1992226 cited
  • 1998Demons of disorder: early blackface minstrels and their world210 cited
  • 1990Places of Performance: The Semiotics of Theatre Architecture188 cited
  • 1990Interpreting the Theatrical Past: Essays in the Historiography of Performance146 cited
  • 1997The Ground on Which I Stand124 cited
  • 1967

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Black drama : the story of the American Negro in the theatre
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