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Re-conceptualizing Ingmar Bergman’s status as auteur du cinema
16 references·0 citing·35 second hop
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References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 2023The Presentation of Self in Everyday Life17,564 cited
  • 2010The Promise of Happiness3,565 cited
  • 1988Technologies of the self: a seminar with Michel Foucault3,307 cited
  • 1994Film History: An Introduction558 cited
  • 2012Why love hurts: a sociological explanation404 cited
  • 1992Interpreting Films340 cited
  • 2013Celebrity capital: redefining celebrity using field theory315 cited
  • 1999The Oxford guide to film studies278 cited
  • 2006Media reception studies249 cited
  • 1995Star Gazing: Hollywood Cinema and Female Spectatorship.164 cited
  • 2015Making Intellectual Room for Persona Studies: A New Consciousness and a Shifted Perspective113 cited
  • 2008The Routledge Companion to Philosophy and Film112 cited
  • 1960Toward a Sociology of the Heterosexual Love Relationship74 cited
  • 2008In The Name of LoveRomantic ideology and its victims64 cited
  • 1998Post-Theory: Reconstructing Film Studies62 cited

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