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A spectroscopic approach to the study of organic pigments in the field of cultural heritage
10 references·0 citing·45 second hop
A spectroscopic approach to the study of organic pigments in the field of cultural heritage (2017)A spectroscopic approach to the study of …SERS Discrimination of Closely Related Molecules: A Systematic Study of Natural Red Dyes in Binary Mixtures (2016)SERS Discrimination of Closel…Portable Sequentially Shifted Excitation Raman spectroscopy as an innovative tool for in situ chemical interrogation of painted surfaces (2016)Portable Sequentially Shifted…Surface‐enhanced Raman spectroscopy of various madder species on wool fibers: the role of pseudopurpurin in the interpretation of the spectra (2015)Surface‐enhanced Raman spectr…Surface-enhanced Raman spectroscopy studies of yellow organic dyestuffs and lake pigments in oil paint (2013)Surface-enhanced Raman spectr…Identification of Organic Materials in Historic Oil Paintings Using Correlated Extractionless Surface-Enhanced Raman Scattering and Fluorescence Microscopy (2011)Identification of Organic Mat…Surface-Enhanced Raman Spectroscopy: A Direct Method to Identify Colorants in Various Artist Media (2009)Surface-Enhanced Raman Spectr…Micro‐Raman spectroscopy (MRS) and surface‐enhanced Raman scattering (SERS) on organic colourants in archaeological pigments (2008)Micro‐Raman spectroscopy (MRS…In situ micro‐Raman spectroscopy on minerals on‐site in the Grotto Hall of the New Palace, Park Sanssouci, in Potsdam (2006)In situ micro‐Raman spectrosc…An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs (2006)An innovative surface‐enhance…In situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts (2005)In situ fluorimetry: A powerf…Fluorescence of Paint and Varnish Layers (Part III) (1982)The photodegradation of some naturally occurring polymers (1996)The natural constituents of historical textile dyes (2004)Portable Equipment for Luminescence Lifetime Measurements on Surfaces (2008)Colouring 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History and Characteristics, Volume 2 (1995)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4 (2011)Nondestructive Identification of Natural and Synthetic Organic Colorants in Works of Art by Surface Enhanced Raman Scattering (2011)Tip-Enhanced Raman Spectroscopy (TERS) for in Situ Identification of Indigo and Iron Gall Ink on Paper (2014)Thera and the Aegean world III (1990)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Extractionless non‐hydrolysis surface‐enhanced Raman spectroscopic detection of historical mordant dyes on textile fibers (2010)Revealing the invisible: using surface‐enhanced Raman spectroscopy to identify minute remnants of color in Winslow Homer's colorless skies (2011)SERS detection of red organic dyes in Ag‐agar gel (2012)On‐site Raman analysis of Medici porcelain (2003)On‐site Raman analysis of Iznik pottery glazes and pigments (2004)Prehistoric rock crystal artefacts from Lower Silesia (Poland) (2008)Raman microspectroscopy for Cultural Heritage studies (2018)Non-Linear Microscopy: A Well-Established Technique for Biological Applications towards Serving as a Diagnostic Tool for in situ Cultural Heritage Studies (2020)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Handheld new technology Raman and portable FT-IR spectrometers as complementary tools for the in situ identification of organic materials in modern art (2017)Multi-analytical and non-invasive characterization of the polychromy of wall paintings at the Domus of Octavius Quartio in Pompeii (2018)Evaluation and optimization of the potential of a handheld Raman spectrometer: in situ, noninvasive materials characterization in artworks (2019)Natural Dyes: Sources, Tradition, Technology and Science (2007)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)A new multi analytical approach for the identification of synthetic and natural dyes mixtures. The case of orcein-mauveine mixture in a historical dress of a Sicilian noblewoman of nineteenth century (2017)Nanotechnologies and Nanomaterials (2018)Compositional and Micro-Morphological Characterisation of Red Colourants in Archaeological Textiles from Pharaonic Egypt (2019)Combined SERS and Raman analysis for the identification of red pigments in cross-sections from historic oil paintings (2014)Surface‐enhanced Raman scattering for the analysis of red lake pigments in painting layers mounted in cross sections (2014)Identifying Pigment Mixtures in Art Using SERS: A Treatment Flowchart Approach (2016)Pretreatment Strategies for SERS Analysis of Indigo and Prussian Blue in Aged Painted Surfaces (2012)Comparative analysis of eastern and western drying-oil binding media used in polychromic artworks by pyrolysis–gas chromatography/mass spectrometry under the influence of pigments (2015)
this work references cited by second hop

References

  • 2006An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs171 cited
  • 2009Surface-Enhanced Raman Spectroscopy: A Direct Method to Identify Colorants in Various Artist Media122 cited
  • 2008Micro‐Raman spectroscopy (MRS) and surface‐enhanced Raman scattering (SERS) on organic colourants in archaeological pigments104 cited
  • 2011Identification of Organic Materials in Historic Oil Paintings Using Correlated Extractionless Surface-Enhanced Raman Scattering and Fluorescence Microscopy75 cited
  • 2005In situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts68 cited
  • 2016Portable Sequentially Shifted Excitation Raman spectroscopy as an innovative tool for in situ chemical interrogation of painted surfaces68 cited
  • 2013Surface-enhanced Raman spectroscopy studies of yellow organic dyestuffs and lake pigments in oil paint54 cited
  • 2016SERS Discrimination of Closely Related Molecules: A Systematic Study of Natural Red Dyes in Binary Mixtures49 cited
  • 2015Surface‐enhanced Raman spectroscopy of various madder species on wool fibers: the role of pseudopurpurin in the interpretation of the spectra28 cited
  • 2006In situ micro‐Raman spectroscopy on minerals on‐site in the Grotto Hall of the New Palace, Park Sanssouci, in Potsdam24 cited

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