SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Improvisation: The Astonishing Bridge to Our Inner Music
16 references·0 citing·35 second hop
Improvisation: The Astonishing Bridge to Our Inner Music (2017)Improvisation: The Astonishing Bridge to …Keeping Time: Readings in Jazz History (2021)Keeping Time: Readings in Jaz…Tonality and Transformation (2011)Tonality and TransformationThe Philosophy of Improvisation (2009)The Philosophy of Improvisati…Aesthetics and Music (2007)Aesthetics and MusicThe Harvard dictionary of music (2004)The Harvard dictionary of mus…The Improvisation of Musical Dialogue (2003)The Improvisation of Musical …The Complexity of Improvisation and the Improvisation of Complexity: Social Science, Art and Creativity (2003)The Complexity of Improvisati…Naturalizing Phenomenology: Issues in Contemporary Phenomenology and Cognitive Science (1999)Naturalizing Phenomenology: I…Visions of Jazz: The First Century (1998)Visions of Jazz: The First Ce…Deconstructing the Lone Genius Myth: Toward a Contextual View of Creativity (1995)Deconstructing the Lone Geniu…Thinking in Jazz (1994)Thinking in JazzConsciousness from a first-person perspective (1991)Consciousness from a first-pe…Romanticism and realism : the mythology of nineteenth century art (1984)Romanticism and realism : the…La musique et l'ineffable (1983)La musique et l'ineffableImprovisation: Its Nature And Practice In Music (1980)Improvisation: Its Nature And…Jazz Styles: History and Analysis (1978)Jazz Styles: History and Anal…The Social Construction of Reality (1967)Identity : Youth and Crisis. 1968 (1968)The Postmodern Condition: A Report on Knowledge (1984)Emotional and informational support from different sources and employee creativity (2007)Cross-Cultural Perspectives on Creativity (2010)Principles for a Cultural Psychology of Creativity (2010)Steps to an Ecology of Mind (1973)Mind and Nature: A Necessary Unity (1979)The Evolving Self (1982)Workplace humor and organizational creativity (2010)Breaking away from set patterns of thinking: Improvisation and divergent thinking (2013)A Sociocultural Theory of Creativity: Bridging the Social, the Material, and the Psychological (2020)Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Organizational Improvisation and Organizational Memory (1998)The Convergence of Planning and Execution: Improvisation in New Product Development (1998)Are we explaining consciousness yet? (2001)From autopoiesis to neurophenomenology: Francisco Varela's exploration of the biophysics of being (2003)Husserl, intersubjectivity and anthropology (2010)Classical standards in the period (2000)Religion and literature (2000)Death Every Afternoon (2003)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Value Creation and Knowledge Loss: The Case of Cremonese Stringed Instruments (2012)Music Performance As an Experimental Approach to Hyperscanning Studies (2016)Organizational Improvisation and Learning: A Field Study (2001)Improvising firms: bricolage, account giving and improvisational competencies in the founding process (2003)Why Pseudonyms? Deception as Identity Preservation Among Jazz Record Companies, 1920–1929 (2008)Authenticity Revisited: The Rock Critic and the Changing Real (2010)The academisation of popular music in higher music education: the case of Norway (2016)User innovativeness in living laboratories : everyday user improvisations with ICTs as a source of innovation (2013)In search of an aesthetic pathway: young children's encounters with drama (2016)Writing and the Modern Stage: Theater beyond Drama (2017)What is Reflection‐In‐Action? A Phenomenological Account (2009)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Music and Ethical Responsibility (2014)
this work references cited by second hop

References

  • 1994Thinking in Jazz1,018 cited
  • 1980Improvisation: Its Nature And Practice In Music670 cited
  • 1999Naturalizing Phenomenology: Issues in Contemporary Phenomenology and Cognitive Science660 cited
  • 1995Deconstructing the Lone Genius Myth: Toward a Contextual View of Creativity246 cited
  • 2003The Complexity of Improvisation and the Improvisation of Complexity: Social Science, Art and Creativity238 cited
  • 2003The Improvisation of Musical Dialogue199 cited
  • 1984Romanticism and realism : the mythology of nineteenth century art189 cited
  • 2004The Harvard dictionary of music161 cited
  • 2021Keeping Time: Readings in Jazz History159 cited
  • 2009The Philosophy of Improvisation157 cited
  • 2007Aesthetics and Music152 cited
  • 1991Consciousness from a first-person perspective144 cited
  • 2011Tonality and Transformation140 cited
  • 1998Visions of Jazz: The First Century138 cited
  • 1978Jazz Styles: History and Analysis132 cited
  • 1983La musique et l'ineffable125 cited

Cited by

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

No citing works inside the corpus for this window.