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The main altarpiece of the Old Cathedral of Coimbra (Portugal)
4 references·6 citing·29 second hop
The main altarpiece of the Old Cathedral of Coimbra (Portugal) (2009)The main altarpiece of the Old Cathedral …Gold cultural heritage objects: a review of studies of provenance and manufacturing technologies (2003)Gold cultural heritage object…Arte de la pintura: 10000 (1990)Arte de la pintura: 10000Des Principes De L'Architecture, De La Sculpture, De La Peinture, Et Des Autres Arts Qui En Dépendent (1966)Des Principes De L'Architectu…Encyclopedie, ou, Dictionnaire raisonne des sciences, des arts et des metiers / (1751)Encyclopedie, ou, Dictionnair…Unveiling the underprintings of a late-fifteenth-early-sixteenth century illuminated French incunabulum by infrared reflectography (2019)Unveiling the underprintings …Gilding in Spanish panel painting from the fifteenth and early sixteenth centuries (2016)Gilding in Spanish panel pain…Synchrotron X-ray diffraction of bole layers from Portuguese gilded baroque retables (2015)Synchrotron X-ray diffraction…Microscopy and X-Ray Spectroscopy Analyses for Assessment of Gilding and Silvering Techniques of Portuguese Illuminated Manuscripts (2015)Microscopy and X-Ray Spectros…Comparison of gold leaf thickness in Namban folding screens using X-ray fluorescence (2014)Comparison of gold leaf thick…Application of energy dispersive X-ray fluorescence spectrometry to polychrome terracotta sculptures from the Alcobaça Monastery, Portugal (2014)Application of energy dispers…Cyclopædia, or, An universal dictionary of arts and sciences (1988)Clay and iron oxide pigments in the history of painting (2003)Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)Mappae Clavicula: A Little Key to the World of Medieval Techniques (1974)Application of spectroscopic techniques to the study of illuminated manuscripts: A survey (2012)New insights into the red and green pigments in the illuminated foral charter of Setubal (1515) by combined use of μ-Raman and X-ray fluorescence spectrometry (2016)“Codex 4D” Project: Interdisciplinary Investigations on Materials and Colors of De Balneis Puteolanis (Angelica Library, Rome, Ms. 1474) (2024)Mining and Metallurgy in the Greek and Roman World (1981)The circulation of precious metals in the Arab Empire: the case of the near and the Middle East* (2002)Fingerprinting ancient gold with proton beams of different energies (2004)Gold traces to trace gold (2004)An overview on the ancient goldsmith's skill and the circulation of gold in the past: the role of x‐ray based techniques (2008)Gold in the Southwest of the Iberian Peninsula during the 3rd Millennium BC (2013)Pigment layers and precious metal sheets by energy‐dispersive x‐ray fluorescence analysis (2008)Complementary analytical methods in identifying gilding and painting techniques of ancient clay-based polychromic sculptures (2013)Solvent influence on crosslinking and surface characteristics of Urushi films (2017)On divers arts : the foremost medieval treatise on painting, glassmaking and metalwork (1979)Pigment Compendium: A Dictionary of Historical Pigments (2007)Original treatises on the arts of painting (1967)Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance (2002)Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance. (2024)A History of Illuminated Manuscripts (1987)Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques (2004)Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage (2008)Study of the GC–MS determination of the palmitic–stearic acid ratio for the characterisation of drying oil in painting: La Encarnación by Alonso Cano as a case study (2011)Pigment-size effect on the physico-chemical behavior of azurite-tempera dosimeters upon natural and accelerated photo aging (2017)Differentials, higher-order differentials and the derivative in the Leibnizian calculus (1974)The Mechanical Philosophy and its Problems: Mechanical Explanations, Impenetrability, and Perpetual Motion (1985)Early Use of PbS Nanotechnology for an Ancient Hair Dyeing Formula (2006)
this work references cited by second hop

References

  • 1751Encyclopedie, ou, Dictionnaire raisonne des sciences, des arts et des metiers /527 cited
  • 1990Arte de la pintura: 10000109 cited
  • 2003Gold cultural heritage objects: a review of studies of provenance and manufacturing technologies85 cited
  • 1966Des Principes De L'Architecture, De La Sculpture, De La Peinture, Et Des Autres Arts Qui En Dépendent13 cited

Cited by

  • 2019Unveiling the underprintings of a late-fifteenth-early-sixteenth century illuminated French incunabulum by infrared reflectography14 cited
  • 2014Comparison of gold leaf thickness in Namban folding screens using X-ray fluorescence11 cited
  • 2016Gilding in Spanish panel painting from the fifteenth and early sixteenth centuries10 cited
  • 2015Synchrotron X-ray diffraction of bole layers from Portuguese gilded baroque retables9 cited
  • 2015Microscopy and X-Ray Spectroscopy Analyses for Assessment of Gilding and Silvering Techniques of Portuguese Illuminated Manuscripts8 cited
  • 2014Application of energy dispersive X-ray fluorescence spectrometry to polychrome terracotta sculptures from the Alcobaça Monastery, Portugal7 cited

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