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‘Sing as you talk’: Politics, popular music and rock criticism in Spain (1975–1986)
16 references·1 citing·40 second hop
‘Sing as you talk’: Politics, popular music and rock criticism in Spain (1975–1986) (2017)‘Sing as you talk’: Politics, popular mus…Pop-rock music: aesthetic cosmopolitanism in late modernity (2014)Pop-rock music: aesthetic cos…The Evaluation of Popular Music in the United States, Germany and the Netherlands: A Comparison of the Use of High Art and Popular Aesthetic Criteria (2010)The Evaluation of Popular Mus…Good Samaritans and oblivious cheerleaders: ideologies of Portuguese music journalists towards Portuguese music (2010)Good Samaritans and oblivious…Change and Continuity in Newspaper Coverage of Popular Music since 1955: Evidence from the United States, France, Germany, and the Netherlands (2010)Change and Continuity in News…The culture of arts journalists (2007)The culture of arts journalis…Ethno-National Pop-Rock Music (2007)Ethno-National Pop-Rock MusicDoing Interviews (2007)Doing InterviewsNevermind The Beatles, here's Exile 61 and Nico: ‘The top 100 records of all time’ – a canon of pop and rock albums from a sociological and an aesthetic perspective (2006)Nevermind The Beatles, here's…A general theory of artistic legitimation: How art worlds are like social movements (2006)A general theory of artistic …Retrospective Cultural Consecration in Popular Music (2005)Retrospective Cultural Consec…Critical negotiations (2004)Critical negotiationsThe Rules of Art: Genesis and Structure of the Literary Field (1997)The Rules of Art: Genesis and…Handbook of Qualitative Research. (1995)Handbook of Qualitative Resea…Why 1955? Explaining the advent of rock music (1990)Why 1955? Explaining the adve…Sound Effects: Youth, Leisure and the Politics of Rock'n'roll (1986)Sound Effects: Youth, Leisure…The Future of Intellectuals and the Rise of the New Class (1979)The Future of Intellectuals a…¿ES “NUESTRA MÚSICA”? ROCK CON RAÍCES E IDENTIDADES NACIONALES EN ESPAÑA (2019)¿ES “NUESTRA MÚSICA”? ROCK CO…The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)Framing Processes and Social Movements: An Overview and Assessment (2000)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)The omnivorous orientation in the UK (2008)Artistic Prosumption (2011)The impact of peer-produced criticism on cultural evaluation: A multilevel analysis of discourse employment in online and offline film reviews (2013)The Presentation of Self in Everyday Life. (1956)Distinction. A Social Critique of the Judgement of Taste (1985)Purity and Danger (2003)From aesthetes to reporters: The paradigm shift in arts journalism in Finland (2011)From Ivory Tower to Cross-Media Personas (2015)Metajournalistic discourse on the rise of gaming journalism (2019)Cultural entrepreneurship in nineteenth-century Boston: the creation of an organizational base for high culture in America (1982)Intellectualization and Art World Development: Film in the United States (2001)The Rise of a Jazz Art World (2002)All that jazz: The success of jazz musicians in three metropolitan areas (2009)Gender and Cultural Consecration in Popular Music (2010)Cycles in Symbol Production: The Case of Popular Music (1975)Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Innovation and Diversity in the Popular Music Industry, 1969 to 1990 (1992)Producing Artistic Value: The Case of Rock Music (1994)The Production of Culture Perspective (2004)Is there rock after punk? (1986)Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction (2004)How Shared Preferences in Music Create Bonds Between People (2011)Transnational regulation of professional services: Governance dynamics of field level organizational change (2006)Classification as Culture: Types and Trajectories of Music Genres (2008)Routledge International Handbook of the Sociology of Art and Culture (2015)Understanding and Evaluating Qualitative Research (2002)The qualitative research interview (2006)Rethinking Critical Theory and Qualitative Research (2011)Qualitative Interviews in Applied Linguistics: From Research Instrument to Social Practice (2010)The qualitative research interview (2011)Quality in Interpretive Engineering Education Research: Reflections on an Example Study (2013)New Social Movements: A Critical Review (1997)Democracy and Expertise (2009)The Sociology of Elites (2012)Fields, Genres, Brands (2014)Keep it rocking: The social space of Portuguese alternative rock (1980–2010) (2015)Raw Power: Punk, DIY and Underground Cultures as Spaces of Resistance in Contemporary Portugal (2018)
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References

  • 1995Handbook of Qualitative Research.6,282 cited
  • 2007Doing Interviews2,179 cited
  • 1997The Rules of Art: Genesis and Structure of the Literary Field1,269 cited
  • 1979The Future of Intellectuals and the Rise of the New Class990 cited
  • 1990Why 1955? Explaining the advent of rock music289 cited
  • 2006A general theory of artistic legitimation: How art worlds are like social movements195 cited
  • 2014Pop-rock music: aesthetic cosmopolitanism in late modernity181 cited
  • 1986Sound Effects: Youth, Leisure and the Politics of Rock'n'roll116 cited
  • 2007The culture of arts journalists114 cited
  • 2005Retrospective Cultural Consecration in Popular Music106 cited
  • 2010The Evaluation of Popular Music in the United States, Germany and the Netherlands: A Comparison of the Use of High Art and Popular Aesthetic Criteria97 cited
  • 2010Change and Continuity in Newspaper Coverage of Popular Music since 1955: Evidence from the United States, France, Germany, and the Netherlands91 cited
  • 2006Nevermind The Beatles, here's Exile 61 and Nico: ‘The top 100 records of all time’ – a canon of pop and rock albums from a sociological and an aesthetic perspective83 cited
  • 2007Ethno-National Pop-Rock Music59 cited
  • 2010

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Good Samaritans and oblivious cheerleaders: ideologies of Portuguese music journalists towards Portuguese music
45 cited
  • 2004Critical negotiations42 cited
  • Cited by

    • 2019¿ES “NUESTRA MÚSICA”? ROCK CON RAÍCES E IDENTIDADES NACIONALES EN ESPAÑA4 cited