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Cited by

• 2012Mobile intimacies in the queer Sinophone films of Cui Zi'en54 cited
• 2010Postsocialist modernity: Chinese cinema, literature and criticism in the market age37 cited
• 2016Aesthetics of queer becoming: Comrade Yue and Chinese community-based documentaries online19 cited
• 2014Writing in Water, or, Evanescence, Enchantment and Ethnography in a C hinese Urban Park16 cited
• 2008Fantasy and reality of a virtual China in Jia Zhangke's filmThe World12 cited
• 2015Images of urban China in Cao Fei’s ‘magical metropolises’10 cited
• 2012Dream-walking in digital wasteland: Observations on the uses of black and white in Chinese independent documentary9 cited
• 2015Urbanized interfaces: Visual arts in Chinese cities7 cited
• 2014The wanderings of Jia Zhangke: pre-hodological space and aimless youths inXiao WuandUnknown Pleasures7 cited
• 2013Jia Zhangke's neoliberal China: the commodification and dissipation of the proletarian inThe World(Shijie, 2004)6 cited