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Study on colored pattern pigments of a royal Taoist temple beside the Forbidden City (Beijing, China)

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2008Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy190 cited
2011Spectroscopic methods for the analysis of celadonite and glauconite in Roman green wall paintings104 cited
2007Attenuated Total Reflection–Fourier transform infrared microspectroscopic mapping for the characterisation of paint cross-sections84 cited
2014Exploiting external reflection FTIR spectroscopy for the in-situ identification of pigments and binders in illuminated manuscripts. Brochantite and posnjakite as a case study67 cited
2011XRF, μ-XRD and μ-spectroscopic techniques for revealing the composition and structure of paint layers on polychrome sculptures after multiple restorations64 cited
2016Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments61 cited
2013Identification of pigments used in rock art paintings in Gode Roriso-Ethiopia using Micro-Raman spectroscopy59 cited
2015Composition and microstructure of the lead white pigment in Masters paintings using HR Synchrotron XRD58 cited
2011Analytical study of Roman and Arabic wall paintings in the Patio De Banderas of Reales Alcazares’ Palace using non-destructive XRD/XRF and complementary techniques55 cited
2016An innovative combination of non-invasive UV–Visible-FORS, XRD and XRF techniques to study Roman wall paintings from Seville, Spain55 cited
2012Characterization of organic media in the wall-paintings of the “Palace of Nestor” at Pylos, Greece: evidence for a secco painting techniques in the Bronze Age53 cited

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