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Our fourth Lascaux
11 references·1 citing·30 second hop
Our fourth Lascaux (2017)Our fourth LascauxReplication for Chauvet Cave (2016)Replication for Chauvet CaveThe tourist: a new theory of the leisure class (2014)The tourist: a new theory of …Tourist (2013)TouristThe Tourist Gaze 3.0 (2011)The Tourist Gaze 3.0The Acropolis and its new museum (2009)The Acropolis and its new mus…The Splendour of Lascaux : Rediscovering the Greatest Treasure of Prehistoric Art (2005)The Splendour of Lascaux : Re…Beyond the Cave: Lascaux and the Prehistoric in Post-War French Culture (2004)Beyond the Cave: Lascaux and …The tourist gaze (2002)The tourist gazeArchaeology and Heritage: An Introduction (2002)Archaeology and Heritage: An …Approaches to the archaeological heritage : a comparative study of world cultural resource management systems (1984)Approaches to the archaeologi…The Tourist: A New Theory of the Leisure Class. (1977)The Tourist: A New Theory of …“I have visited the Chauvet Cave”: the heritage experience of a rock art replica (2019)“I have visited the Chauvet C…La distinction, critique sociale du jugement (1980)Simulacres et simulation (1981)Uses of Heritage (2006)Digital Heritage Surrogates, Decolonization, and International Law: Restitution, Control, and the Creation of Value as Reparations and Emancipation (2020)Experiential authenticity in heritage museums (2020)Exploring relations among authentic tourism experience, experience quality, and tourist behaviours in phygital heritage with experimental design (2023)Developing creativity in tourist experiences: A solution to the serial reproduction of culture? (2005)Sampling Knowledge: The Hermeneutics of Snowball Sampling in Qualitative Research (2008)Attitudes to Language (2010)The Power of Commemorative Street Names (1996)‘Facing the future’: tourism and identity-building in post-socialist Romania (2001)Photographs in tourism research: Prejudice, power, performance and participant-generated images (2018)Authenticity and commoditization in tourism (1988)World Society and the Nation‐State (1997)A Space for Place in Sociology (2000)Values and Heritage Conservation (2013)The significance of values: heritage value typologies re-examined (2016)Adaptive Reuse of Heritage Buildings: From a Literature Review to a Model of Practice (2022)Creativity and tourism (2011)Tourism Imaginaries: A Conceptual Approach (2011)Mobilizing the new mobilities paradigm (2016)Socio-Spatial Prototypes of a New Organization of Consumption: The Role of Real Cultural Capital (1990)Tourism as Science and Science as Tourism (2008)The Memorable Travel Experience and Its Reminiscence Functions (2018)Is Palaeolithic cave art consistent with costly signalling theory? Lascaux as a test case (2017)The visual psychology of European Upper Palaeolithic figurative art: using Bubbles to understand outline depictions (2020)Upper Palaeolithic Installation Art: Topography, Distortion, Animation and Participation in the Production and Experience of Cantabrian Cave Art (2020)Introduction: New Perspectives in Global Public Archaeology (2011)Archaeological tourism: A creative approach (2017)Participative co-creation of archaeological heritage: Case insights on creative tourism in Alentejo, Portugal (2019)
this work references cited by second hop

References

  • 1977The Tourist: A New Theory of the Leisure Class.3,817 cited
  • 2002The tourist gaze2,163 cited
  • 2011The Tourist Gaze 3.01,649 cited
  • 2013Tourist329 cited
  • 2014The tourist: a new theory of the leisure class141 cited
  • 2002Archaeology and Heritage: An Introduction135 cited
  • 1984Approaches to the archaeological heritage : a comparative study of world cultural resource management systems104 cited
  • 2005The Splendour of Lascaux : Rediscovering the Greatest Treasure of Prehistoric Art32 cited
  • 2004Beyond the Cave: Lascaux and the Prehistoric in Post-War French Culture18 cited
  • 2009The Acropolis and its new museum9 cited
  • 2016Replication for Chauvet Cave8 cited

Cited by

  • 2019“I have visited the Chauvet Cave”: the heritage experience of a rock art replica28 cited

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