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Listening to Istanbul: Imagining Place in Turkish Rap Music
16 references·4 citing·35 second hop
Listening to Istanbul: Imagining Place in Turkish Rap Music (2005)Listening to Istanbul: Imagining Place in…Music and the Global Order (2004)Music and the Global OrderThe 'Hood Comes First (2002)The 'Hood Comes FirstRap music and the poetics of identity (2000)Rap music and the poetics of …Popular music and youth culture: music, identity and place (2000)Popular music and youth cultu…A Sweet Lullaby for World Music (2000)A Sweet Lullaby for World Mus…‘Represent’: race, space and place in rap music (2000)‘Represent’: race, space and …Popular Music in Theory: An Introduction (1999)Popular Music in Theory: An I…Hip hop am Main: the localization of rap music and hip hop culture (1999)Hip hop am Main: the localiza…Modernity at Large: Cultural Dimensions of Globalization. (1998)Modernity at Large: Cultural …Global Pop: World Music, World Markets (1998)Global Pop: World Music, Worl…At the Crossroads: Rap Music and Its African Nexus (1996)At the Crossroads: Rap Music …Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Rhythm, Rhyme, and Rhetoric i…Media, Communication, Culture: A Global Approach (1995)Media, Communication, Culture…Glocalization: Time-Space and Homogeneity-Heterogeneity (1995)Glocalization: Time-Space and…Dancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…The Arabesk Debate (1992)The Arabesk DebateFrom the streets to the mainstream: popularization of Turkish rap music (2020)From the streets to the mains…Tough guys, tough music or a cry for recognition? (2012)Tough guys, tough music or a …Theory and Method in Popular Music Analysis: Text and Meaning (2012)Theory and Method in Popular …Migrating music and good-enough cosmopolitanism (2011)Migrating music and good-enou…The Invention of Tradition (1986)The consequences of modernity (1990)Is Globalization Civilizing, Destructive or Feeble? A Critique of Five Key Debates in the Social Science Literature (2001)Globalisation or ‘glocalisation’? Networks, territories and rescaling (2004)Toward a Global Idea of Race (2010)Distinction: A Social Critique of the Judgement of Taste* (2018)The Predicament of Culture (1988)Mimesis and alterity: a particular history of the senses (1993)The Visible Evidence of Cultural Producers (2000)Transidiomatic practices: Language and power in the age of globalization (2005)Soundscapes: Toward a Sounded Anthropology (2010)The Black Atlantic: Modernity and Double Consciousness (1994)Music and the racial imagination (2000)The Anthropology of Globalization: A Reader (2002)Sonic Transculturation, Epistemologies of Purification and the Aural Public Sphere in Latin America (2006)Cultural Uniqueness and Aesthetic Cosmopolitanism (2007)Music and globalization: critical encounters (2012)Club cultures: music, media and subcultural capital (1996)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)From Cultural Exchange to Transculturation: A Review and Reconceptualization of Cultural Appropriation (2006)Ideological cultures and media discourses on scientific knowledge: re-reading news on climate change (2007)Globalization and Culture (2009)Migrant “Illegality” and Deportability in Everyday Life (2002)How Ideas Spread: Whose Norms Matter? Norm Localization and Institutional Change in Asian Regionalism (2004)The New Mobilities Paradigm (2006)Dub: soundscapes and shattered songs in Jamaican reggae (2007)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Theorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces (2002)The Glocalization of Youth Culture: The Global Youth Segment as Structures of Common Difference (2006)Hip-hop Realness and the White Performer (2005)Misogyny in Rap Music (2009)Digital Divide: Navigating the Digital Edge (2011)Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)
this work references cited by second hop

References

  • 1998Modernity at Large: Cultural Dimensions of Globalization.18,135 cited
  • 1995Glocalization: Time-Space and Homogeneity-Heterogeneity3,826 cited
  • 2000Rap music and the poetics of identity499 cited
  • 2000Popular music and youth culture: music, identity and place468 cited
  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 1995Media, Communication, Culture: A Global Approach408 cited
  • 2000A Sweet Lullaby for World Music406 cited
  • 1998Global Pop: World Music, World Markets402 cited
  • 2002The 'Hood Comes First368 cited
  • 2004Music and the Global Order327 cited
  • 1995Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy245 cited
  • 1999Popular Music in Theory: An Introduction222 cited
  • 1992The Arabesk Debate219 cited
  • 2000‘Represent’: race, space and place in rap music216 cited
  • 1999Hip hop am Main: the localization of rap music and hip hop culture160 cited
  • 1996At the Crossroads: Rap Music and Its African Nexus115 cited

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Cited by

  • 2020From the streets to the mainstream: popularization of Turkish rap music9 cited
  • 2011Migrating music and good-enough cosmopolitanism8 cited
  • 2012Theory and Method in Popular Music Analysis: Text and Meaning8 cited
  • 2012Tough guys, tough music or a cry for recognition?3 cited