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‘I read comics from a feministic point of view’: Conceptualizing the transmedia ethos of the Captain Marvel fan community
10 references·1 citing·38 second hop
‘I read comics from a feministic point of view’: Conceptualizing the transmedia ethos of the Captain Marvel fan community (2017)‘I read comics from a feministic point of…Science Fiction, Fantasy, and Politics: Transmedia World-Building Beyond Capitalism (2016)Science Fiction, Fantasy, and…Historicising Transmedia Storytelling: Early Twentieth-Century Transmedia Story Worlds (2016)Historicising Transmedia Stor…Transmedia Storytelling (2015)Transmedia StorytellingThe Superhero Costume: Identity and Disguise in Fact and Fiction (2015)The Superhero Costume: Identi…Handbook of Media Branding (2015)Handbook of Media BrandingWho’s Steering the Mothership? The Role of the Fanboy Auteur in Transmedia Storytelling (2012)Who’s Steering the Mothership…Show sold separately: promos, spoilers, and other media paratexts (2010)Show sold separately: promos,…Transmedia Storytelling: Implicit Consumers, Narrative Worlds, and Branding in Contemporary Media Production (2009)Transmedia Storytelling: Impl…A Fannish Field of Value: Online Fan Gift Culture (2009)A Fannish Field of Value: Onl…Comic book culture: fanboys and true believers (2000)Comic book culture: fanboys a…“Let’s rewrite some history, shall we?”: temporality and postfeminism in Captain Marvel’s comic book superhero(ine)ism (2021)“Let’s rewrite some history, …Course in General Linguistics (1960)Desire in Language: A Semiotic Approach to Literature and Art (1981)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Patterns of listening through social media: online fan engagement with the live music experience (2012)The Influence of Paratext on Narrative Persuasion: Fact, Fiction, or Fake? (2012)Paratext and Digitized Narrative: Mapping the Field (2013)Possessions and the Extended Self (1988)Consumers and Their Brands: Developing Relationship Theory in Consumer Research (1998)Legacy and Native News Brands Online: Do They Show Different News Consumption Patterns? (2016)Distinction: A Social Critique of the Judgement of Taste* (2018)Integrating machine learning, modularity and supply chain integration for Branding 4.0 (2022)Keep it real: Assessing destination image congruence and its impact on tourist experience evaluations (2023)For a Critique of the Political Economy of the Sign (1980)The Gift: Imagination and the Erotic Life of Property (1983)The Gift: The Form and Reason for Exchange in Archaic Societies. (1992)Creative Crowds. Perspektiven der Fanforschung im deutschsprachigen Raum (2014)Legitimacy, Validity, and Writing for Free: Fan Fiction, Gender, and the Limits of (Unpaid) Creative Labor (2014)Playing to the Crowd (2019)Disjuncture and Difference in the Global Cultural Economy (1990)LITERACY IN THE NEW MEDIA AGE (2003)Transmedial Storytelling and Transfictionality (2013)Beyond virtuality: from engagement platforms to engagement ecosystems (2014)Rabelais and his world (2020)Immersive netnography: a novel method for service experience research in virtual reality, augmented reality and metaverse contexts (2022)An exploratory investigation of the characteristics of consumer fanaticism (2006)57th Yearbook of the National Reading Conference (2008)What Is Video Game Culture? Cultural Studies and Game Studies (2010)Crowdfunding: A Spimatic application of digital fandom (2014)World Building. Transmedia, Fans, Industries (2017)Star Wars and the History of Transmedia Storytelling (2021)Beauty and the Waste: Fashioning Idols and the Ethics of Recycling in Korean Pop Music Videos (2019)GÖRSEL BİR ÖĞRETİM MATERYALİ OLARAK DİJİTAL ÇİZGİ ROMAN TASARIMI: GEZDİM, GÖRDÜM, ÖĞRETTİM (2020)From Fan Culture/Community to the Fan World: Possible Pathways and Ways of Having Done Fandom (2017)Towards a theory of organizational storytelling for public relations: An engagement perspective (2023)Young Adult Fantasy Fiction (2019)Transmedia Project Design: Theoretical and Analytical Considerations (2013)Special Issue: Comics & Media (2014)Transmedia literacy in the new media ecology: Teens’ transmedia skills and informal learning strategies (2018)
this work references cited by second hop

References

  • 2010Show sold separately: promos, spoilers, and other media paratexts881 cited
  • 2009Transmedia Storytelling: Implicit Consumers, Narrative Worlds, and Branding in Contemporary Media Production570 cited
  • 2015Transmedia Storytelling348 cited
  • 2009A Fannish Field of Value: Online Fan Gift Culture262 cited
  • 2000Comic book culture: fanboys and true believers193 cited
  • 2016Science Fiction, Fantasy, and Politics: Transmedia World-Building Beyond Capitalism149 cited
  • 2015Handbook of Media Branding80 cited
  • 2016Historicising Transmedia Storytelling: Early Twentieth-Century Transmedia Story Worlds46 cited
  • 2012Who’s Steering the Mothership? The Role of the Fanboy Auteur in Transmedia Storytelling40 cited
  • 2015The Superhero Costume: Identity and Disguise in Fact and Fiction18 cited

Cited by

  • 2021“Let’s rewrite some history, shall we?”: temporality and postfeminism in Captain Marvel’s comic book superhero(ine)ism7 cited

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