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Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities
16 references·0 citing·31 second hop
Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities (2017)Social Media as Theatre Stage: Aesthetics…The Theatrical Public Sphere (2014)The Theatrical Public SphereStoryworlds across Media (2014)Storyworlds across MediaAudience Participation in Theatre: Aesthetics of the Invitation (2013)Audience Participation in The…Audience Participation in Theatre (2013)Audience Participation in The…Perform, repeat, record: live art in history (2012)Perform, repeat, record: live…Australasian Drama Studies (2011)Australasian Drama StudiesThe Citizen Audience (2008)The Citizen AudienceLiveness (2008)LivenessCloser (2008)CloserDigital performance: a history of new media in theater, dance, performance art, and installation (2007)Digital performance: a histor…Digital Performance (2007)Digital PerformancePostdramatic Theatre (2006)Postdramatic TheatreVirtual Theatres (2004)Virtual TheatresUnmarked (2003)UnmarkedNarrative as virtual reality: immersion and interactivity in literature and electronic media (2001)Narrative as virtual reality:…Unmarked: The Politics of Performance (1994)Unmarked: The Politics of Per…The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Multimodal Discourse: The Modes and Media of Contemporary Communication (2002)Basic Elements of Narrative (2009)Adolescentes, redes sociales y universos transmedia: la alfabetización mediática en contextos participativos (2019)Structural patterns for transmedia storytelling (2020)Enacting the Worlds of Cinema (2022)The Language of New Media (2002)The Cambridge Introduction to Narrative (2008)“The question of belief”: writing poststructural ethnography (1995)Body Projects of Young Women of Color in Physics: Intersections of Gender, Race, and Science (2005)Practice as Research in the Arts (2013)Speculations on the relationship between soap opera and melodrama (1992)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Cultivating the art of safe space (2008)Of Meanings and Movements: Re-Languaging Embodiment in Dance Phenomenology and Cognition (2011)Dance, Interactive Technology, and the Device Paradigm (2013)Practices of readiness (2018)Business is Show Business: Management Presentations as Performance (2010)Hero takes a fall: A lesson from theatre for leadership (2010)Shakespeare, Spectatorship and the Technologies of Performance (2020)Matter out of place: visibility and sexualities in leisure spaces (1999)Reading Erasures and Making the Familiar Strange: Defamiliarizing Methods for Research in Formerly Colonized and Historically Oppressed Communities (2003)The Art of Doing (Geographies of) Music (2007)In the here and now: Enhanced motor corticospinal excitability in novices when watching live compared to video recorded dance (2013)Sight over sound in the judgment of music performance (2013)Live-streaming, games and politics of gender performance: The case of Nüzhubo in China (2017)Choreographic Objects (2013)Response to COVID-19 – losing and finding one another in drama: personal geographies, digital spaces and new intimacies (2020)The Cambridge Introduction to Theatre Studies (2008)Digital Liveness: A Historico-Philosophical Perspective (2012)An extension of technology acceptance model for mHealth user adoption (2021)
this work references cited by second hop

References

  • 1994Unmarked: The Politics of Performance1,810 cited
  • 2001Narrative as virtual reality: immersion and interactivity in literature and electronic media1,069 cited
  • 2003Unmarked803 cited
  • 2006Postdramatic Theatre779 cited
  • 2008Liveness630 cited
  • 2007Digital Performance501 cited
  • 2007Digital performance: a history of new media in theater, dance, performance art, and installation375 cited
  • 2011Australasian Drama Studies218 cited
  • 2014Storyworlds across Media175 cited
  • 2008Closer166 cited
  • 2014The Theatrical Public Sphere163 cited
  • 2013Audience Participation in Theatre: Aesthetics of the Invitation160 cited
  • 2013Audience Participation in Theatre153 cited
  • 2004Virtual Theatres144 cited
  • 2008The Citizen Audience144 cited
  • 2012Perform, repeat, record: live art in history117 cited

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