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The écomusée—the small, local, and community-owned and managed museum—and similar cultural institutions, represent more than a typical museum: they are also community movements in time and space that resist the modern hierarchical practices of the cultural sector. Through four Canadian cases, this article examines the different forms of écomusée resistance by discursively excavating the conditions of their formation, institutional practices, and the resulting effects and implications. The movement's resulting schism in space and time has created local empowerment of underrepresented community groups by reappropriating and challenging the modern cultural landscape with implications for public action and public policy.
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Stored only when both papers are in the corpus — 4 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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