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Finding Fortune in Motet 13: insights on ordering and borrowing in Machaut's motets
7 references·4 citing·13 second hop
Finding Fortune in Motet 13: insights on ordering and borrowing in Machaut's motets (2017)Finding Fortune in Motet 13: insights on …‘SHE HAS A WHEEL THAT TURNS …’: CROSSED AND CONTRADICTORY VOICES IN MACHAUT'S MOTETS (2009)‘SHE HAS A WHEEL THAT TURNS ……Citation and authority in medieval and Renaissance musical culture : learning from the learned (2005)Citation and authority in med…Words and music in Machaut's Motet 9 (2003)Words and music in Machaut's …Theorizing the Cadence in the Music of Machaut (2003)Theorizing the Cadence in the…ENCOMPASSING PAST AND PRESENT: QUOTATIONS AND THEIR FUNCTION IN MACHAUT'S MOTETS (2001)ENCOMPASSING PAST AND PRESENT…Tendencies and Resolutions: The Directed Progression in "Ars Nova" Music (1992)Tendencies and Resolutions: T…On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections (1986)On Sonority in Fourteenth-Cen…The Motet in the Late Middle Ages (2023)The Motet in the Late Middle …The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis (2023)The Motet Collection of San L…The Fourteenth-Century Italian Motet (2023)The Fourteenth-Century Italia…Fauvel and Marigny: Which Came First? (2023)Fauvel and Marigny: Which Cam…Johannes de Grocheio on secular music: a corrected text and a new translation (1993)The Grammar of Early Music: Preconditions for Analysis (2014)The Brut, or, The chronicles of England (1960)Medieval Music and the Art of Memory (2005)Renaissance Quarterly (2016)Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony (1998)'Thought-Provoking Dissonances. Remarks about Machaut's Compositional Licences in Relation to His Texts' (2007)The sound of beauty (2013)The Monstrous New Art: Divided Forms in the Late Medieval Motet (2015)Vocal performance in the seventeenth century (2012)Polyphony in medieval Paris the art of composing with plainchant (2018)Intelligibility Redux (2017)Sensory Experience in Medieval Devotion: Sound and Vision, Invisibility and Silence (2013)
this work references cited by second hop

References

  • 2005Citation and authority in medieval and Renaissance musical culture : learning from the learned135 cited
  • 1986On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections103 cited
  • 2001ENCOMPASSING PAST AND PRESENT: QUOTATIONS AND THEIR FUNCTION IN MACHAUT'S MOTETS86 cited
  • 2003Words and music in Machaut's Motet 974 cited
  • 2009‘SHE HAS A WHEEL THAT TURNS …’: CROSSED AND CONTRADICTORY VOICES IN MACHAUT'S MOTETS62 cited
  • 2003Theorizing the Cadence in the Music of Machaut59 cited
  • 1992Tendencies and Resolutions: The Directed Progression in "Ars Nova" Music52 cited

Cited by

  • 2023Fauvel and Marigny: Which Came First?48 cited
  • 2023The Fourteenth-Century Italian Motet45 cited
  • 2023The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis44 cited
  • 2023The Motet in the Late Middle Ages39 cited

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