SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Irony, sexism and magic in Paolo Sorrentino’s films
15 references·1 citing·33 second hop
Irony, sexism and magic in Paolo Sorrentino’s films (2017)Irony, sexism and magic in Paolo Sorrenti…Neoliberal Feminism and the Future of Human Capital (2016)Neoliberal Feminism and the F…"Orientalism, Eroticism and Modern Visuality in Global Cultures " (2016)"Orientalism, Eroticism and M…Pretty: film and the decorative image (2011)Pretty: film and the decorati…Philosophy of mind: a comprehensive introduction (2011)Philosophy of mind: a compreh…Honey money: the power of erotic capital (2011)Honey money: the power of ero…The Philosophy of Motion Pictures (2009)The Philosophy of Motion Pict…Why Italian Film Studies Needs A Second Take on Gender (2008)Why Italian Film Studies Need…Comedy of Philosophy, The: Sense and Nonsense in Early Cinematic Slapstick (2007)Comedy of Philosophy, The: Se…Taking Humour Seriously (2003)Taking Humour SeriouslyFilm/Genre (1999)Film/GenreNarrative comprehension and film (1993)Narrative comprehension and f…Popular film and television comedy (1990)Popular film and television c…The logic of the absurd: on film and television comedy (1989)The logic of the absurd: on f…Narration in the Fiction Film (1986)Narration in the Fiction FilmRomantic Comedy Today: Semi-Tough or Impossible? (1978)Romantic Comedy Today: Semi-T…Introspective Conflict in the Middle of a Moveable Feast (2023)Introspective Conflict in the…States of Injury (1995)Undoing the Demos (2015)Women Who Work: The limits of the neoliberal feminist paradigm (2018)A Brief History of Neoliberalism (2020)Feminism in advertising: Irony or revolution? A critical review of femvertising (2020)World scientists’ warning: The behavioural crisis driving ecological overshoot (2023)Women principals in South Africa: gender, mothering and leadership (2013)Romantic Relationships at Work: Why Love Can Hurt (2014)Social sexual behavior at work (2014)Why Can't Screenplays Be Artworks? (2011)Getting inside your head: what cognitive science can tell us about popular culture (2013)Empathy and Sympathy: Two Contemporary Models of Character Engagement (2019)Screening early modern drama: beyond Shakespeare (2014)Texture in Film (2014)Feminisms (2015)Narrative Complexity in Contemporary American Television (2006)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Routledge Handbook of Multimodal Analysis (2010)Identities, Genres, and Organizational Forms (2005)Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production (2006)Multiple Category Memberships in Markets: An Integrative Theory and Two Empirical Tests (2009)From Love at First Sight to Soul Mate: The Influence of Romantic Ideals in Popular Films on Young People's Beliefs about Relationships (2013)Humorous phenomena in dramatic discourse (2013)Institutions and Organisations (2013)Visual Narrative Structure (2012)Aesthetics as Philosophy of Perception (2016)The Empathic Screen (2019)Humor and the search for relevance (2003)Gender and humor: The state of the art (2005)The sociology of humor (2008)Framing Brokeback Mountain: How the Popular Press Corralled the “Gay Cowboy Movie” (2008)With or without intentions: Accountability and (un)intentional humour in film talk (2016)Lemony Liz and likable Leslie: audience understandings of feminism, comedy, and gender in women-led television comedies (2017)
this work references cited by second hop

References

  • 1986Narration in the Fiction Film1,483 cited
  • 1999Film/Genre703 cited
  • 1993Narrative comprehension and film610 cited
  • 2003Taking Humour Seriously337 cited
  • 2016Neoliberal Feminism and the Future of Human Capital221 cited
  • 1990Popular film and television comedy167 cited
  • 2009The Philosophy of Motion Pictures167 cited
  • 2011Pretty: film and the decorative image112 cited
  • 2011Honey money: the power of erotic capital90 cited
  • 1989The logic of the absurd: on film and television comedy84 cited
  • 2011Philosophy of mind: a comprehensive introduction79 cited
  • 1978Romantic Comedy Today: Semi-Tough or Impossible?34 cited
  • 2007Comedy of Philosophy, The: Sense and Nonsense in Early Cinematic Slapstick24 cited
  • 2016"Orientalism, Eroticism and Modern Visuality in Global Cultures "17 cited
  • 2008Why Italian Film Studies Needs A Second Take on Gender14 cited

Cited by

  • 2023Introspective Conflict in the Middle of a Moveable Feast0 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work