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From Burger Highlife to Gospel Highlife: Music, Migration, and the Ghanaian Diaspora
1 references·2 citing·12 second hop
From Burger Highlife to Gospel Highlife: Music, Migration, and the Ghanaian Diaspora (2013)From Burger Highlife to Gospel Highlife: …Representing African Music (2014)Representing African MusicStudio Improv as Compositional Process Through Case Studies of Ghanaian Hiplife and Afrobeats (2016)Studio Improv as Compositiona…The Ritualization of the Self in Ghanaian Gospel Music (2014)The Ritualization of the Self…Embodiment as a Paradigm for Anthropology (1990)The Globalization of Pentecostal and Charismatic Christianity (2004)Questions of Cultural Identity (2011)Transcending Distinctions between Religious and Secular Musicianship: Nigerian Pentecostals across Popular Performance Settings (2019)Making beats: the art of sample-based hip-hop (2005)The Ethics of Identity (2005)Ways of listening: an ecological approach to the perception of musical meaning (2006)Embodied Listening: Grassroots Governance in Electronic Dance Music Venues in Accra (Ghana) (2021)Accessing marginalized musics through adaptable, culturally sustaining music technology modules (2023)Music and Politics in Africa (2004)Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm (2006)Macro-Cultural Psychology (2012)
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References

  • 2014Representing African Music285 cited

Cited by

  • 2014The Ritualization of the Self in Ghanaian Gospel Music9 cited
  • 2016Studio Improv as Compositional Process Through Case Studies of Ghanaian Hiplife and Afrobeats5 cited

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