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An Earnest Meyerbeer:Le Prophèteat London’s Royal Italian Opera, 1849
16 references·0 citing·29 second hop
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References

  • 1972Sincerity and Authenticity2,106 cited
  • 1985The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess.910 cited
  • 1955The Mirror and the Lamp: Romantic Theory and the Critical Tradition.809 cited
  • 1954The Mirror and the Lamp: Romantic Theory and the Critical Tradition654 cited
  • 2004Illegitimate Theatre in London, 1770-1840464 cited
  • 1978The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess235 cited
  • 2013The Victorian Frame of Mind178 cited
  • 2008Fashionable acts: opera and elite culture in London, 1780-1880120 cited
  • 1988The Nation's Image: French Grand Opera as Politics and Politicized Art103 cited
  • 2004Acting naturally: Victorian theatricality and authenticity100 cited
  • 2003The Cambridge Companion to Grand Opera98 cited
  • 2009French Grand Opera and the Historical Imagination89 cited
  • 2004Mimomania: music and gesture in nineteenth-century opera85 cited
  • 2009Thirty Years' Musical Recollections73 cited
  • 1999The urbanization of opera: music theater in Paris in the nineteenth century72 cited
  • 1995

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Judaism in Music and Other Essays
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