Picasso y Christian Zervos. Los dibujos escultóricos del cuaderno de Cannes, en 1927, y las esculturas biomórficas modeladas en París, en 1928

Abstract

This article establishes the analysis of Picasso´s drawing in Cannes, in 1927, and their relation with the sculptures fashioned in París in 1928. The review of this drawing with a new plastic purpose and the comparison with other preceding sculptures in different materials facilitate a new reading, and explain the artist evolution in that specialty and the unpublished nature of immediate sculptures. The influence on important avant-garde and surrealist artists increases the interest in this review and the conclusions reached.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 2 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.