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Multi-Tasking and Making a Living from Music: Investigating Music Careers in the Independent Music Scene of Milan
16 references·10 citing·41 second hop
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this work references cited by second hop

References

  • 1968The Discovery of Grounded Theory; Strategies for Qualitative Research39,440 cited
  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 2000Free Labor1,749 cited
  • 1997Doing Cultural Studies: The Story of the Sony Walkman1,684 cited
  • 2008In the Social Factory?1,361 cited
  • 2005The Network Society: Social Aspects of New Media919 cited
  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 2007The Effect of File Sharing on Record Sales: An Empirical Analysis865 cited
  • 2012Creative Labour: Media Work in Three Cultural Industries715 cited
  • 2004The Production of Culture Perspective705 cited
  • 2002CLUBS TO COMPANIES: NOTES ON THE DECLINE OF POLITICAL CULTURE IN SPEEDED UP CREATIVE WORLDS640 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 2009‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries420 cited
  • 1992Producing Pop: Culture and Conflict in the Popular Music Industry416 cited
  • 2005Subcultures, Scenes or Tribes? None of the Above413 cited

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1990
The Hidden Musicians: Music-Making in an English Town.
387 cited

Cited by

  • 2021The working life of musicians: mapping the work activities and values of early-career pop musicians in the Dutch music industry44 cited
  • 2022Milestones in music: Reputations in the career building of musicians in the changing Dutch music industry25 cited
  • 2021Towards an understanding of creativity in independent music production13 cited
  • 2021Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians8 cited
  • 2022Making it up: Adaptive approaches to bringing freelance cultural work to a cultural ecologies discourse8 cited
  • 2024Digital transformation and the DIY artist: Balancing artistic integrity and economic sustainability in the digital domain7 cited
  • 2022Music (as) Labour: Crises and Solidarities among Greek Musicians in the Pandemic6 cited
  • 2023DIY or die? A typology of DIY careers in the Portuguese independent music scenes6 cited
  • 2019When means and ends coincide: on the value of DiY6 cited
  • 2023A self-made Zimbabwean musician: A case study of DIY culture in the global south3 cited