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How Skin Color Became a Racial Marker: Art Historical Perspectives on Race
16 references·2 citing·29 second hop
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References

  • 1832Notes on the State of Virginia897 cited
  • 2000The Complexion of Race577 cited
  • 2004Casta painting: images of race in eighteenth-century Mexico398 cited
  • 2009La matrice de la race269 cited
  • 2012The anatomy of blackness: science and slavery in an age of Enlightenment210 cited
  • 2011Trading places: colonization and slavery in eighteenth-century French culture145 cited
  • 1997How Indians Got to Be Red109 cited
  • 2011The Enlightenment: a genealogy81 cited
  • 2013The Scottish Enlightenment: race, gender, and the limits of progress61 cited
  • 1993Des pouvoirs de l'image : gloses58 cited
  • 2000Grammaire des arts du dessin48 cited
  • 2004VISCERAL CULTURE: BLUSHING AND THE LEGIBILITY OF WHITENESS IN EIGHTEENTH‐CENTURY BRITISH PORTRAITURE46 cited
  • 1991La Culture des Apparences: Une Histoire du Vetement, XVII-XVIII Siecles.45 cited
  • 2015Caribbean Women, Creole Fashioning, and the Fabric of Black Atlantic Writing19 cited
  • 1806Dictionnaire des beaux-arts18 cited
  • 2006Making Up the Rococo: Francois Boucher and His Critics16 cited

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Cited by

  • 2021Entre l’appareil et la toile3 cited
  • 2023“Made by the Son of a Black”: José Campeche as Artist and Free Person of Color in Late Eighteenth-Century Puerto Rico1 cited