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Live-streaming, games and politics of gender performance: The case of Nüzhubo in China
15 references·16 citing·28 second hop
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this work references cited by second hop

References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 1988Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory4,127 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1988Performative Acts and Gender Constitution : An Essay in Phenomenology and Feminist Theory2,921 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2018The Work of Art in the Age of Mechanical Reproduction1,276 cited
  • 2008Camgirls: Celebrity and Community in the Age of Social Networks688 cited
  • 2016“Aren’t These Just Young, Rich Women Doing Vain Things Online?”: Influencer Selfies as Subversive Frivolity680 cited
  • 2008Liveness630 cited
  • 2003MediaSpace: Place, Scale and Culture in a Media Age347 cited
  • 2001SPECIFYING AGENCY The Comaroffs and Their Critics156 cited
  • 2010China on Video114 cited
  • 2006The Body and the Screen112 cited
  • 2006The Body and the Screen: Theories of Internet Spectatorship93 cited
  • 2010China on Video: Smaller-Screen Realities55 cited

Cited by

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2020
“Obscene, pornographic, or otherwise objectionable”: Biased definitions of sexual content in video game live streaming
71 cited
  • 2021Predictors of parasocial interaction and relationships in live streaming66 cited
  • 2022How Live Streaming Interactions and Their Visual Stimuli Affect Users’ Sustained Engagement Behaviour—A Comparative Experiment Using Live and Virtual Live Streaming51 cited
  • 2020Sexuality vs. sensuality: The multimodal construction of affective stance in Chinese ASMR performances*50 cited
  • 2020It has never been “normal”: queer pop in post-2000 China49 cited
  • 2022Navigating the economy of ambivalent intimacy: gender and relational labour in China’s livestreaming industry46 cited
  • 2021Playing live-streaming ‘love games’: mediated intimacy and desperational labour in digital China44 cited
  • 2021A techno-feminist analysis of beauty app development in China’s high-tech industry38 cited
  • 2022Platform as new “daddy”: China’s gendered wanghong economy and patriarchal platforms behind36 cited
  • 2022Dare to Dream, Dare to Livestream: How E-Commerce Livestreaming Empowers Chinese Rural Women36 cited
  • 2022Understanding Virtual Gifting in Live Streaming by the Theory of Planned Behavior33 cited
  • 2022The Emergent Masculinities and Gendered Frustrations of Male Live-Streamers in China22 cited
  • 2021Desire for sale: Live-streaming and commercial DIY porn among Chinese gay microcelebrities17 cited
  • 2023The techno-beauty myth: the self-representations of young Chinese women on social media15 cited
  • 2025Constructing resistant gender identities on Chinese social media: A multimodal discourse analysis of Chinese male beauty vloggers’ videos on Bilibili15 cited
  • 2019Between the marked and the unmarked: twin semiotic paradoxes of the barrage in China’s livestreaming fandom14 cited