Fengshui your graffiti: embodied spatial practices in the ‘city of gambling’

Abstract

To date, the academic discussion of graffiti culture in Greater China borrows a set of theoretical assumptions or preoccupations based on Euro-American graffiti subculture practices, focusing on the artistic dimensions of graffiti. This article, based on an ethnography in Macau, tries to re-examine two forms of local graffiti culture – the one influenced by hip hop culture, the other by the Chinese writing tradition – and endeavours to analyse the logic of their different spatial strategies and embodied practices.

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