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Second-hand? Insights into the age and ‘authenticity’ of colonial period rock art on the Sunshine Coast, Queensland, Australia
16 references·0 citing·40 second hop
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References

  • 2000X-ray fluorescence spectrometry in art and archaeology267 cited
  • 2006Appropriated pasts: indigenous peoples and the colonial culture of archaeology235 cited
  • 2011Non‐destructive analysis using PXRF: methodology and application to archaeological ceramics185 cited
  • 2003Inscribed landscapes: marking and making place167 cited
  • 2016Cultural innovation and megafauna interaction in the early settlement of arid Australia147 cited
  • 2001Landscapes, Rock-Art and the Dreaming: An Archaeology of Preunderstanding134 cited
  • 1987Archaeometry : further Australasian studies122 cited
  • 2013Strangers on the shore : early coastal contacts in Australia117 cited
  • 2015A quick assessment of the photocatalytic activity of TiO2 pigments — From lab to conservation studio!110 cited
  • 2009Art as a Mode of Action107 cited
  • 2016The technology of the earliest European cave paintings: El Castillo Cave, Spain93 cited
  • 2010A Minimum Age For Early Depictions Of Southeast Asian Praus in the Rock Art of Arnhem Land, Northern Territory79 cited
  • 2010Painting History: Indigenous Observations and Depictions of the ‘Other’ in Northwestern Arnhem Land, Australia75 cited
  • 2006An Artefact of Colonial Desire?65 cited
  • 2007

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Trace Element Fingerprinting of Australian Ocher Using Laser Ablation Inductively Coupled Plasma‐Mass Spectrometry (LA‐ICP‐MS) for the Provenance Establishment and Authentication of Indigenous Art*
64 cited
  • 1988Repainting of images on rock in Australia and the maintenance of Aboriginal culture63 cited
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