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Black as a Coconut and White as a Tusk: African Materials and European Displays of Christ Before Columbus
5 references·0 citing·9 second hop
Black as a Coconut and White as a Tusk: African Materials and European Displays of Christ Before Columbus (2014)Black as a Coconut and White as a Tusk: A…Germany and the black diaspora: points of contact, 1250-1914 (2014)Germany and the black diaspor…Engraved gems of the Carolingian empire (1996)Engraved gems of the Caroling…The Shewings of Julian of Norwich (1994)The Shewings of Julian of Nor…Allegory, Fact, and Meaning in Giambattista Tiepolo's Four Continents in Würzburg (1978)Allegory, Fact, and Meaning i…The German Response to Indian Culture (1961)The German Response to Indian…Reallexikon zur deutschen Kunstgeschichte (1954)Storia do Mogor, or Mogul India, 1653-1708 (1971)Relation d'un voyage du Levant ... (2005)Charlemagne, King of Beasts (2004)GEOLOGICAL IMAGINATION IN ROMANESQUE SCULPTURE (2015)The Cross, the Gospels, and the Work of Art in the Carolingian Age (2019)Chaucer’s Parson and the Specter of Wycliffism (2001)Heresy Trials and English Women Writers, 1400–1670 (2012)Reading Piers Plowman (2013)
this work references cited by second hop

References

  • 1994The Shewings of Julian of Norwich41 cited
  • 1996Engraved gems of the Carolingian empire27 cited
  • 2014Germany and the black diaspora: points of contact, 1250-191427 cited
  • 1961The German Response to Indian Culture11 cited
  • 1978Allegory, Fact, and Meaning in Giambattista Tiepolo's Four Continents in Würzburg6 cited

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