Image, text and figure: Lyotard, Heidegger and Body II: Sublimation

Bert Olivier

6 citations0/0 files storedde arte

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Visual Culture and Art Theory Art, Politics, and Modernism Art, Aesthetics, and Perception

Abstract

In distinctive ways, Lyotard and Heidegger enable one to understand the unusual interplay between texts and images, or language and iconography, encountered in installation art. In this article, Lyotard's notion of figure and Heidegger's figure of the fourfold are employed to come to grips with the multi-installation, Body 11: Sublimation, presented at the 2002 Klein Karoo National Arts Festival (KKNK) in Oudtshoorn.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 6 citations exist upstream.

References

1991The Condition of Postmodernity 1992Postmodernism, or, The Cultural Logic of Late Capitalism 19132. The Interpretation of Dreams 1972Poetry, Language, Thought 1966Madness and Civilization: A History of Insanity in the Age of Reason.1913The Interpretation of Dreams.2009Empire 1977PHILOSOPHICAL HERMENEUTICS

Cited by

2007‘Communication’ in the era of ‘Empire’ and ‘multitude’

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.