SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Social Place of the Portuguese Punk Scene: an Itinerary of the Social Profiles of its Protagonists
16 references·2 citing·41 second hop
The Social Place of the Portuguese Punk Scene: an Itinerary of the Social Profiles of its Protagonists (2017)The Social Place of the Portuguese Punk S…Never Mind the Pistols? The Legacy and Authenticity of the Sex Pistols in Portugal (2015)Never Mind the Pistols? The L…Networks of sound, style and subversion (2015)Networks of sound, style and …Keep it rocking: The social space of Portuguese alternative rock (1980–2010) (2015)Keep it rocking: The social s…Running in Circles: Performing Values in the Bandung ‘Do It Yourself’ Hardcore Scene (2014)Running in Circles: Performin…Punk in Russia (2014)Punk in RussiaThe Problem of Peru's Punk Underground: An Approach to Under-Fuck the System (2012)The Problem of Peru's Punk Un…Gendered Performance Performing Gender in the DIY Punk and Hardcore Music Scene (2012)Gendered Performance Performi…Resistance Through Rituals (2006)Resistance Through RitualsPunk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans (2006)Punk’s Not Dead: The Continui…Music Scenes (2004)Music ScenesConsolidating the music scenes perspective (2004)Consolidating the music scene…Local scenes and dangerous crossroads: punk and theories of cultural hybridity (2002)Local scenes and dangerous cr…Goth (2002)GothMusic Lovers (2001)Music LoversSubculture: The Meaning of Style (1995)Subculture: The Meaning of St…Le champ des avant-gardes (1991)Le champ des avant-gardesDIY or die? A typology of DIY careers in the Portuguese independent music scenes (2023)DIY or die? A typology of DIY…Estigma, experimentação e risco: A questão do álcool e das drogas na cena punk (2016)Estigma, experimentação e ris…On Record: Rock, Pop and the Written Word (1990)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Club cultures: music, media and subcultural capital (1996)All that jazz: The success of jazz musicians in three metropolitan areas (2009)Musical Communities: Rethinking the Collective in Music (2011)‘I Always Remember That Moment’: Peak Music Experiences as Epiphanies (2015)The Act of Reading: A Theory of Aesthetic Response (1979)Performing rites: on the value of popular music (1997)On Qualculation, Agency, and Otherness (2005)Actor Network Theory and Material Semiotics (2008)What Is a Good Tomato? A Case of Valuing in Practice (2013)Distinction: A Social Critique of the Judgement of Taste* (2018)Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)Modernity at Large: Cultural Dimensions of Globalization. (1998)Pretty Connected (2008)The man whose web expanded: Network dynamics in Manchester's post/punk music scene 1976–1980 (2008)Value Creation in Scene‐based Music Production: The Case of Electronic Club Music in G ermany (2012)Hiding in the Light, on Images and Things (1992)What Is Sociological about Music? (2010)The post-subcultural turn: some reflections 10 years on (2011)Musical taste and patterns of symbolic exclusion in the United States 1993–2012: Generational dynamics of differentiation and continuity (2015)Club Cultures: Music, Media and Subcultural Capital (1997)The Rules of Art: Genesis and Structure of the Literary Field (1997)I wanna be your punk: o universo de possíveis do punk, do D.I.Y. e das culturas underground (2017)Iberian Punk, Cultural Metamorphoses, and Artistic Differences in the Post-Salazar and Post-Franco Eras (2020)Post Dictatorships, Cosmopolitanism, Punk, and Post-punk in Portugal and Spain from 1974 to 1984 (2021)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)In Defence of Subculture: Young People, Leisure and Social Divisions (2006)Subculture Theory: An Historical and Contemporary Assessment of the Concept for Understanding Deviance (2014)Why alternative teenagers self-harm: exploring the link between non-suicidal self-injury, attempted suicide and adolescent identity (2014)Social Spaces of Music: Introduction (2014)Cultural Capital: Arts Graduates, Spatial Inequality, and London’s Impact on Cultural Labor Markets (2017)What is Donald Trump? Forms of ‘Celebrity’ in Celebrity Politics (2018)Culture and Communication: Towards an Ethnographic Critique of Media Consumption in the Transnational Media System (1990)Reentry as a rite of passage (2011)Anti-consumption as tactical resistance: Anarchists, subculture, and activist strategy (2012)Classification as Culture: Types and Trajectories of Music Genres (2008)Soundscapes: Toward a Sounded Anthropology (2010)Translocality: Concepts, Applications and Emerging Research Perspectives (2013)
this work references cited by second hop

References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 2006Resistance Through Rituals440 cited
  • 2004Music Scenes437 cited
  • 2002Goth327 cited
  • 2001Music Lovers315 cited
  • 2006Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans201 cited
  • 2004Consolidating the music scenes perspective182 cited
  • 2015Networks of sound, style and subversion106 cited
  • 2002Local scenes and dangerous crossroads: punk and theories of cultural hybridity101 cited
  • 2015Keep it rocking: The social space of Portuguese alternative rock (1980–2010)48 cited
  • 2012Gendered Performance Performing Gender in the DIY Punk and Hardcore Music Scene37 cited
  • 2015Never Mind the Pistols? The Legacy and Authenticity of the Sex Pistols in Portugal36 cited
  • 2012The Problem of Peru's Punk Underground: An Approach to Under-Fuck the System26 cited
  • 1991Le champ des avant-gardes20 cited
  • 2014Punk in Russia18 cited
  • 2014Running in Circles: Performing Values in the Bandung ‘Do It Yourself’ Hardcore Scene15 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

  • 2023DIY or die? A typology of DIY careers in the Portuguese independent music scenes6 cited
  • 2016Estigma, experimentação e risco: A questão do álcool e das drogas na cena punk5 cited