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The Integrity of Boulez’s Integral Serialism: Polyphonie X and Musical Failure as Compositional Success
14 references·1 citing·25 second hop
The Integrity of Boulez’s Integral Serialism: Polyphonie X and Musical Failure as Compositional Success (2017)The Integrity of Boulez’s Integral Serial…Elephants in the Music Room (2015)Elephants in the Music RoomNew Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez (2013)New Music at Darmstadt: Nono,…New Music at Darmstadt (2013)New Music at DarmstadtThe musical language of Pierre Boulez: writings and compositions (2011)The musical language of Pierr…Inscriptions : Ligeti – Xenakis – Boulez (2006)Inscriptions : Ligeti – Xenak…« Penser sensiblement » la musique : production et description du matériau harmonique dans le troisième mouvement du Marteau sans maître (2006)« Penser sensiblement » la mu…György Ligeti and the Rhetoric of Autonomy (2004)György Ligeti and the Rhetori…Evenings on and off the Roof: Pioneering Concerts in Los Angeles, 1939-1971 (1996)Evenings on and off the Roof:…Pierre Boulez. A World of Harmony (1994)Pierre Boulez. A World of Har…Pierre Boulez: a world of harmony (1991)Pierre Boulez: a world of har…Orientations Collected Writings (1986)Orientations Collected Writin…Foundations of Music History (1983)Foundations of Music HistoryMessiaen/ Goeyvaerts, Fano/ Stockhausen, Boulez (1974)Messiaen/ Goeyvaerts, Fano/ S…THE FIRST FIFTY YEARS. (1963)THE FIRST FIFTY YEARS.Boulez's Künstlerroman: Using blocs sonores to Overcome Anxieties and Influence in Le marteau sans maître (2018)Boulez's Künstlerroman: Using…Disquieting Conversations: Bach, Modernity, and God (2013)Music, Modernity, and God (2013)Teasing the Ever-Expanding Sonnet from Pierre Boulez’s Musical Poetics (2019)Luigi Nono: A Composer in Context (2016)A Scene Without A Name: Indie Classical and American New Music in the Twenty-First Century (2019)Un cri de passion ne s'analyse pas: Olivier Messiaen's Harmonic Borrowings from Jules Massenet (2016)The Work of Literary Translation (2018)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Erik Bergman, cosmopolitanism and the transformation of musical geography1 (2015)Herbert Eimert and the Darmstadt School (2020)How artists working in academia view artistic practice as research: Implications for tertiary music education (2011)Composing Individuals: Ethnographic Reflections on Success and Prestige in the British New Music Network (2013)From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell (2006)"Experimentalists and Independents are Favored": John Edmunds in Conversation with Peter Yates and John Cage, 1959-61 (2008)Twelve-tone theory (2002)Structuralists contra Serialists? Claude Lévi-Strauss and Pierre Boulez on Avant-Garde Music (2011)Discrete/Continuous: Music and Media Theory after Kittler (2017)Interesting Haydn: On Attention's Materials (2018)Musicology Without Music (2019)UNITED NATIONS SECRETARY-GENERAL (1983)The Losses Realized in Bank Failures (1991)Symbolic Power and Organizational Culture (2003)The Imaginary Museum of Musical Works (1994)Musicking — the meanings of performing and listening. A lecture (1999)Playing with History (2002)
this work references cited by second hop

References

  • 1983Foundations of Music History364 cited
  • 1963THE FIRST FIFTY YEARS.191 cited
  • 1986Orientations Collected Writings105 cited
  • 2004György Ligeti and the Rhetoric of Autonomy64 cited
  • 2011The musical language of Pierre Boulez: writings and compositions57 cited
  • 2013New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez55 cited
  • 2013New Music at Darmstadt53 cited
  • 1974Messiaen/ Goeyvaerts, Fano/ Stockhausen, Boulez51 cited
  • 1996Evenings on and off the Roof: Pioneering Concerts in Los Angeles, 1939-197137 cited
  • 2015Elephants in the Music Room35 cited
  • 1991Pierre Boulez: a world of harmony31 cited
  • 2006« Penser sensiblement » la musique : production et description du matériau harmonique dans le troisième mouvement du Marteau sans maître24 cited
  • 2006Inscriptions : Ligeti – Xenakis – Boulez22 cited
  • 1994Pierre Boulez. A World of Harmony20 cited

Cited by

  • 2018Boulez's Künstlerroman: Using blocs sonores to Overcome Anxieties and Influence in Le marteau sans maître5 cited

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