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The screams all sound the same: The music of Of Monsters and Men and the Icelandic imaginary as geographical discourse
16 references·2 citing·47 second hop
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References

  • 1979Space and Place: Humanistic Perspective1,027 cited
  • 1991Language and the Making of Place: A Narrative-Descriptive Approach654 cited
  • 2003Sound Tracks423 cited
  • 1995Imaginative geographies295 cited
  • 2011Geographical imagination237 cited
  • 1995Popular music in geographical analyses231 cited
  • 1997Beyond geography's visible worlds: a cultural politics of music228 cited
  • 2000‘Represent’: race, space and place in rap music216 cited
  • 1995Sounding out the City: Music and the Sensuous Production of Place215 cited
  • 2004World music: deterritorializing place and identity199 cited
  • 2006Regions and place: music, identity and place197 cited
  • 2000Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space133 cited
  • 1995The Place of Music: [Introduction]92 cited
  • 2010Factory Music: How The Industrial Geography and Working-Class Environment of Post-War Birmingham Fostered the Birth of Heavy Metal81 cited
  • 2006S ubjectivity and the C onstruction of E motion in the M usic of B jörk63 cited
  • 1996' Madchester Rave On 1: placing the fragments of popular music

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50 cited

Cited by

  • 2021Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006)5 cited
  • 2023‘Standing still … in a moving place’ – reassessing lyrics and the spaces they construct through the musical landscapes of The Blue Nile5 cited