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Adapting Idols: Authenticity, Identity and Performance in a Global Television Format
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Cited by

  • 2019Loving Music Till It Hurts145 cited
  • 2017Staging Overcoming: Narratives of Disability and Meritocracy in Reality Singing Competitions66 cited
  • 2013The limitations of localization: A cross-cultural comparative study of Farmer Wants a Wife29 cited
  • 2019‘Mingrenare the respectable ones’: an analysis of everyday engagements with contemporary celebrity culture in China16 cited
  • 2015The use of international television formats by public service broadcasters in Australia, Denmark and Germany11 cited
  • 2022To Exaggerate Data at All Costs: Data-Driven Fan Culture, Platforms, and the Remaking of the New Poor in China5 cited
  • 2022Does Reality Television-Style Singing Influence Singing Self-Concept?4 cited
  • 2021TV series adaptations and their repercussions on consumers: insights from two complementary qualitative analyses4 cited
  • 2021“Down-to-Earth TV dramas”: The reception of authenticity, reality, and modality in Danish TV dramas4 cited
  • 2018Chinese Singing Contests as Sites of Negotiation Among Individuals and Traditions3 cited
  • 2024Reality TV, Nigerian Idol, and cultural preferences for Afrobeats music2 cited

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