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Getting close to clothes: Using material objects to rethink the creative geographies of post‐war London fashion
16 references·7 citing·46 second hop
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this work references cited by second hop

References

  • 2012The Standard Definition of Creativity3,864 cited
  • 2004Follow the Thing: Papaya591 cited
  • 2010Slow Fashion: An Invitation for Systems Change530 cited
  • 2003British Fashion Design276 cited
  • 1997Ready-to-Wear and Ready-to-Work148 cited
  • 1996Material Culture: Embedded Firms, Organizational Networks and the Local Economic Development of a Fashion Quarter132 cited
  • 2004The Ascendance of New York Fashion130 cited
  • 2006Fashion as viscous knowledge: fashion's role in shaping trans-national garment production112 cited
  • 2015Material Inheritances: How Place, Materiality, and Labor Process Underpin the Path-dependent Evolution of Contemporary Craft Production112 cited
  • 2016Craft of Use111 cited
  • 2006From Paris to Shanghai70 cited
  • 2007Art and archive: memory-work on a Montana homestead63 cited
  • 2007Selling Avant-garde: How Antwerp Became a Fashion Capital (1990—2002)63 cited
  • 2012Crafting the Region: Creative Industries and Practices of Regional Space57 cited
  • 2015Make, mend and befriend: geographies of austerity, crafting and friendship in contemporary cultures of dressmaking in the UK56 cited

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2015
The Dress Detective
53 cited

Cited by

  • 2023Mapping the state of the art of creative cluster research: a bibliometric and thematic analysis43 cited
  • 2018Feminist historical geographies: doing and being18 cited
  • 2019Archiving17 cited
  • 2021Geographies of Fashion and Style: Setting the Scene11 cited
  • 2023(Em)placing the popular in Cultural Geography11 cited
  • 2018Materialities and historical geographies: An introduction5 cited
  • 2023From Underwear to Outerwear: The Influence of Machinery on Creativity and Garment Styling in the Scottish Knitwear Industry, 1920s–1970s2 cited