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In situ Raman and pXRF spectroscopic study on the wall paintings of Etruscan Tarquinia tombs
16 references·9 citing·40 second hop
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 2008Raman identification of natural red to yellow pigments: ochre and iron‐containing ores327 cited
  • 1995Raman microscopy: application to the identification of pigments on medieval manuscripts286 cited
  • 2015Raman spectroscopy for the investigation of carbon‐based black pigments251 cited
  • 2012Micro‐Raman spectroscopy of carbon‐based black pigments186 cited
  • 2012The technological versus methodological revolution of portable XRF in archaeology175 cited
  • 2012The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields168 cited
  • 2004Non-Destructive Microanalysis of Cultural Heritage Materials138 cited
  • 2008The production technology of Egyptian blue and green frits from second millennium BC Egypt and Mesopotamia135 cited
  • 2010Pigments used in Roman wall paintings in the Vesuvian area113 cited
  • 2001Characterization of azurite and lazurite based pigments by laser induced breakdown spectroscopy and micro-Raman spectroscopy112 cited
  • 1999Fabrication processes of archaeological Egyptian blue and green pigments enlightened by Raman microscopy and scanning electron microscopy93 cited
  • 2000Pigment analysis of wall paintings and ceramics from Greece and Cyprus. The optimum use of x-ray spectrometry on specific archaeological issues

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91 cited
  • 2009Multilayers quantitative X-ray fluorescence analysis applied to easel paintings73 cited
  • 2009In situ investigations of vault paintings in the Antwerp cathedral55 cited
  • 2002Late Classical and Hellenistic painting techniques and materials: a review of the technical literature54 cited
  • Cited by

    • 2023The fresco wall painting techniques in the Mediterranean area from Antiquity to the present: A review29 cited
    • 2021Spectroscopic analysis of pigments in a wall painting from a high Roman Empire building in Córdoba (Spain) and identification of the application technique27 cited
    • 2020Blurring of ancient wall paintings caused by binder decay in the pigment layer17 cited
    • 2022Investigation on the Painting Materials and Profile Structures Used in Ancient Chinese Folk Architectural Paintings by Multiple Analytical Methods17 cited
    • 2020Two centuries of painted plasters from the Lateran suburban villa (Rome): investigating supply routes and manufacturing of pigments15 cited
    • 2020Integrated analytical approach to unveil the secrets of the recently discovered “Sphinx Room”: a new piece of Domus Aurea puzzle14 cited
    • 2019Color and painting techniques in Etruscan architectural slabs13 cited
    • 2023Precise in-situ detection of inorganic pigments in ancient architectural color paintings by HH-XRF12 cited
    • 2019Characterization of a Mahamayuri Vidyarajni Sutra excavated in Lu’an, China10 cited