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Is Gender in the Eye of the Beholder? Identifying Cultural Attitudes with Art Auction Prices

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References

2000Orchestrating Impartiality: The Impact of “Blind” Auditions on Female Musicians1,758 cited
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2018Why Have There Been No Great Women Artists?172 cited
2000Age and the Quality of Work: The Case of Modern American Painters162 cited
2013Does it pay to invest in Art? \nA Selection-corrected Returns \nPerspective130 cited
2010Do you really expect to get paid?: an economic study of professional artists in Australia106 cited
2008Culture and Economics80 cited
2019Art and gender: market bias or selection bias?49 cited
2009Conceptual Revolutions in Twentieth-Century Art49 cited
1996Why women succeed, and fail, in the arts40 cited
2013Does it Pay to Invest in Art? A Selection-Corrected Returns Perspective37 cited

Cited by

2017Glass Ceilings in the Art Market23 cited
2022Artists' labour market and gender: Evidence from German visual artists14 cited
2021Is there a ‘Venice Effect’? Participation in the Venice Biennale and the implications for artists’ careers9 cited

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2020Gender differences in hammer prices for Australian Indigenous art9 cited

2018Creativity-Integrated Art History: A pedagogical framework6 cited