“The Pulse Of Life Today”: borrowing in Johanna Beyer’s String Quartet No. 2

Rachel Lumsden

4 citations0/0 files storedAmerican Music

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Musicology and Musical Analysis Diverse Musicological Studies Literature, Musicology, and Cultural Analysis

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Research Article| October 01 2017 "The Pulse Of Life Today": borrowing in Johanna Beyer's String Quartet No. 2 Rachel Lumsden Rachel Lumsden Rachel Lumsden is assistant professor of music theory at Florida State University. Her research interests include ultramodern compositional style, gender and race in early twentieth-century British and American music, and music by women composers. Her work has been published in Black Music Research Journal, Feminist Studies, Music Theory Online, Studies in American Humor, and Women & Music. She is also coeditor of the Norton Guide to Teaching Music Theory (forthcoming, W. W. Norton). She received a PhD in music theory and a doctoral certificate in women's studies from the CUNY Graduate Center, and she has previously taught at Brooklyn College and the University of Oklahoma. Search for other works by this author on: This Site Google American Music (2017) 35 (3): 303–342. https://doi.org/10.5406/americanmusic.35.3.0303 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Rachel Lumsden; "The Pulse Of Life Today": borrowing in Johanna Beyer's String Quartet No. 2. American Music 1 January 2017; 35 (3): 303–342. doi: https://doi.org/10.5406/americanmusic.35.3.0303 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressAmerican Music Search Advanced Search The text of this article is only available as a PDF. Copyright 2018 by the Board of Trustees of the University of Illinois2018 Article PDF first page preview Close Modal You do not currently have access to this content.

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1991Gender Trouble: Feminism and the Subversion of Identity 1980The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination.1981The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination 1990The politics of postmodernism 1986A Theory of Parody. The Teachings of Twentieth-Century Art Forms 1985A Theory of Parody: The Teachings of Twentieth-Century Art Forms 1986Feminist Studies/Critical Studies 2017Writing a Woman’s Life

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