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Fixed attitudes toward literature in Latin America display a consistent tendency to become unfixed in relatively short order. This is particularly true in the case of fiction dealing with Indian themes. During the 1930s and the following decade, a number of diverse factors coincided to encourage cultivation of this facet of the Latin-American novel, in a manner quite different from nineteenth-century romantics who had glorified and idealized a remote, unreal indigenous past. Mounting socio-economic pressures, newly-awakened political movements, a widespread national consciousness, strengthened among novelists by the successes of the criollista writers of the 1920's (Gallegos, Güiraldes, Rivera) — all combined to encourage concentration on the Indian as a social problem.
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