Can art breach boundaries? Segregation and hierarchy at a fringe theatre festival in the Israeli mixed city of Acre

Abstract

This study explores the relationship between art and urban boundaries using the case study of a fringe theatre festival in the Israeli mixed-city of Acre. While mixed cities today are understood as agglomerations of enclaves, maintained and reinforced by boundaries, urban designers and artists have used art as a culture-led regeneration strategy through which these boundaries may be breached. This study undermines the shared assumption of both fields: that art has the power to breach boundaries, by juxtaposing a city’s artistic activity with its segregation patterns and boundaries. Using super-positioning, the findings of two research methods have been integrated: urban research and ethnographic field work. The article shows that although the artistic activity in question is rooted in an avant-garde radical desire to subvert socioeconomic structures, it actually produces new versions and interpretations of the same segregations and boundaries in both space and society.

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