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Although the debate of orality versus literacy began with Plato, can we say that this debate has come to its rightful conclusion? There is still a lot to understand about orality in the transmission of music when we consider that an important aspect of it has clearly not been studied extensively: embodiment. Can there be a knowledge transmitted through the body that makes writing and verbalization play a peripheral role? The acting, moving, learning, feeling, and knowledgeable body plays a crucial role well beyond what is being transmitted. A large part of that knowledge cannot be put into words, but it is imparted when musicians or dancers perform onstage. In this article, we take a close look at the importance of embodied learning in traditional Japanese oral transmission.
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