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Indian Cinema Beyond Bollywood
6 references·2 citing·23 second hop
Indian Cinema Beyond Bollywood (2018)Indian Cinema Beyond BollywoodIndia's New Independent Cinema: Rise of the Hybrid (2016)India's New Independent Cinem…Film Programming (2015)Film ProgrammingCosmopolitanism: Uses of the Idea (2013)Cosmopolitanism: Uses of the …Guest Editors' Introduction Field-Configuring Events as Structuring Mechanisms: How Conferences, Ceremonies, and Trade Shows Constitute New Technologies, Industries, and Markets (2008)Guest Editors' Introduction F…Film Festivals: From European Geopolitics to Global Cinephilia (2007)Film Festivals: From European…Crossing New Europe: Postmodern Travel and the European Road Movie (2006)Crossing New Europe: Postmode…Performativity of rape culture through fact and fiction: An exploration of India’s Daughter and Anatomy of Violence (2020)Performativity of rape cultur…Interrogating Patriarchy: Transgressive Discourses of ‘F-Rated’ Independent Hindi Films (2020)Interrogating Patriarchy: Tra…Central Problems in Social Theory: Action, Structure and Contradiction in Social Analysis. (1980)The Social Construction of Technological Systems (1989)Fools Rush in? The Institutional Context of Industry Creation* (2007)Conceptualizing Open Data Ecosystems (2014)The Recursive Nature of Institutional Change (2016)The Hindus: an alternative history (2009)India's Winter of Discontent: Some Feminist Dilemmas in the Wake of a Rape (2013)The intimate city: violence, gender and ordinary life in Delhi slums (2016)Globalisation and Representations of Women in Indian Cinema (2000)Bollywood cinema: temples of desire (2002)Economic and Political Weekly (2017)Film festival research from an organizational studies perspective (2010)Audience Heterogeneity and the Effectiveness of Market Signals: How to Overcome Liabilities of Foreignness in Film Exports? (2014)Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam (2014)Migration and Cinematic Process in Post-Cold War Europe (2010)Pema Tseden and the Tibetan road movie: space and identity beyond the ‘minority nationality film’ (2016)Affirmative Aesthetics and Wilful Women (2020)China and Bollywood: The Potential for Building the World’s Largest Film Market (2020)Masculine anxiety and ‘new Indian woman’ in the films of Anurag Kashyap (2020)Situating Ingmar Bergman and world cinema (2021)Not All Is Lost in Translation: World Varieties of Cosmopolitanism (2014)Global mobilities and the possibilities of a cosmopolitan curriculum (2017)Cosmopolitan agency and meaningful intercultural interactions: an ecological and person-in-context conceptualisation (2022)
this work references cited by second hop

References

  • 2007Film Festivals: From European Geopolitics to Global Cinephilia206 cited
  • 2013Cosmopolitanism: Uses of the Idea148 cited
  • 2006Crossing New Europe: Postmodern Travel and the European Road Movie135 cited
  • 2008Guest Editors' Introduction Field-Configuring Events as Structuring Mechanisms: How Conferences, Ceremonies, and Trade Shows Constitute New Technologies, Industries, and Markets55 cited
  • 2015Film Programming19 cited
  • 2016India's New Independent Cinema: Rise of the Hybrid13 cited

Cited by

  • 2020Performativity of rape culture through fact and fiction: An exploration of India’s Daughter and Anatomy of Violence9 cited
  • 2020Interrogating Patriarchy: Transgressive Discourses of ‘F-Rated’ Independent Hindi Films5 cited

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